Despite having grown up in the countryside I have never really had much of an affinity for it; as a child I learned the names of trees and grass, I learned to swim in the river a couple of miles along the track, I fished it too or at least I sat and stared at the ripples and bobbing float until my thermos of tea went cold.
Ultimately, I was bored and wanted away the first chance I got, village life rarely offers a teenager much and cannot compete with sordid appeal of the city.
So, it’s odd how now I am finding myself searching for the sanctuary of nature, as a photographer I had never really shot landscapes as such and yet here I am up to my arse in brambles.
For the last two weeks, I’ve been enrolled in workshops through the Summer Literary Seminars (SLS) out of Montreal, Canada. Morning workshops run for the entire two weeks, while afternoon workshops run one week each.
The program is hosted by the Writer’s House of Georgia. Located in Tbilisi, the building was completed in 1905. The Art Nouveau architecture blends Georgian and European influences, and the building has witnessed many important historic events, particularly in the political realm.
Although the building is in the heart of the city, the Writer’s House is a quiet sanctuary in the city. The central courtyard hosts a lush garden that stays cool even on the hottest days.
Stop by when you are in Tbilisi, or consider writing and learning with the SLS programs.
On Friday, I took advantage of a fourteen-hour layover in Paris, France. With so much time to spend, I headed into the city for a quick look around.
The indie bookstore Shakespeare and Company was on my list. The shop is on a street known for the vendors who set up book stalls along the Seine River. Their location is near Notre-Dame Cathedral and the Louvre.
Shakespeare and Company is an English-language bookstore in the heart of Paris. The building was originally constructed as a monastery. An old tradition held that one monk was assigned the duty of lighting the lamps at nightfall. The bookstore’s founder, George Whitman, cast himself as that monk when he began operating a store that would provide light through literature.
On Tuesday, we talked about publishers soliciting authors in the guise of a publication offer.
That’s not a book deal. That’s a (slick) commercial for their services.
But for some authors, “hybrid” publishing works. Could it be right for you?
Old-school vanity publishers know their terrible reputations, and many have rebranded as “hybrid.” They charge authors a “contribution” that pays their costs and a healthy profit margin. They don’t care if your book sells—they already made their money. You may end up with cartons of unsold books, text badly or not-at-all edited, dreadful covers, crappy page design.
True hybrid presses offer a legitimate package of publishing services. It costs more than self-publishing—they still profit before selling your book—but you’re not doing it all yourself. Hybrids can provide a smoother publication process, bookstore placement, reviews, and some of the legitimacy of an imprint.