Category Archives: Writing Tips

Author Interview: Wendy Gilhula

Last week, I wrote about Gilhula’s debut children’s picture book, Pika Bunny and the Thunderstorm. This week, you’ll hear directly from the author!

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First, she wanted to share her journey to creating this story and the other adventures of Pika Bunny. She writes:

While tutoring math in my home in Knoxville, TN, one of my students looked around at my small downstairs and innocently asked, “So, what do you do all day before tutoring?”

I just looked at him and smiled. What I wanted to say was, “Oh, I write children’s books that no one is ever going to read.”

But I kept thinking about his question. More importantly, I kept thinking about my answer! I decided to be brave and find a professional to help me in areas where I did not feel confident. That was the best move I could have made.

So, writers, be brave! Follow your dreams. Keep working, and reach out for help when you need it.

Now, here are the rest of Gilhula’s thoughts.

How would your advice for new writers differ from advice you would offer writers who have been in the game for a while?

The advice I would give to a new writer would be some of the same advice that I gave to myself.

  1. Just write. If you have a story to tell, tell it.
  2. Show your work to someone. Notice that I didn’t say, “Share your work.” Share sounds too intimidating. But don’t hide your work in a drawer for twenty-five years like I did, either!
  3. Pay a professional to look at your work on an artistic level, for consistency, and for editing and grammar in general.
  4. Join SCBWI or start networking in your area to meet people and share experiences.
  5. You are never too old to start. (I’m 52.)

When you take a break from writing, is it a full and total break or is your mind constantly parsing the world for fodder? What does that parsing look like? How does it make you feel as an artist? As a human being?

After college, I was a modern dance choreographer and instructor for almost twenty years. My creative brain has always worked while I am sleeping. The minute I awoke, I already had concepts and some of the choreography. Even today, as I have been a math tutor for almost fifteen years now, I will wake up with an answer to a problem that I didn’t have time to finish the night before.

In the morning, I will have my coffee and work on the latest ideas that I have for a book or my current project. After that, it is a total break for the day as I give try to give my students my full attention.

As an artist, I’ve always been told that I don’t think like everyone else. When I was younger, I didn’t like that comment, because I wanted to be like everyone else. Now that I am older, I embrace the difference.

As a human being, one moment I can I feel like I’m freely walking and weaving a path between art and humanity, and the next I feel like I’m tripping on air.

From your perspective as an author, what do you feel is the biggest challenge to the publishing industry today? Is there a way to solve that challenge?

Since I’m just newly published, I do not have a full understanding of the industry. But I can say that money and promotion are probably the biggest challenges.

What books are you currently reading?

Currently, I am reading books by my cousin, Scott Christopher Beebe, who does not believe in editing whatsoever. His writing is exposed and raw. Some of his thoughts progress halfway down the page before you see any punctuation.

These books are not my usual choices, and not my usual choice of words (and types of adult themes). But there is something transparent and crude about how he thinks that is intriguing and sometimes haunting.

Most days I like to read books on topics that I would not typically write about, like mystery.

Which authors do you think are underappreciated in the current market, and why? Which new writers do you find most interesting, and why?

I gravitate to new writers of children’s picture books that aren’t getting the big publishing house launches. Those writers who must create everything to launch their own work into the world intrigue me because of their sheer passion.

Finding the discipline to keep writing can be tough. Which “get writing” techniques are most effective for you?

Since I wake up with the actual drive, my tactics are more of getting the ideas to stop and slow down. Then I can evaluate and experiment. Not every idea is a good one on its own, but it may be the start of something that I want to pursue and explore.

Can you give us a sneak peek into your current project?

The next step in the Pika Bunny Learning Series is to illustrate the second book. Adrianna Allegretti is working on the illustrations now for Pika Bunny Has a Big Question. This one is due to drop in spring of 2018. It will be published by Apollo Publications.

A really different project is also underway. The illustrations for that are by Alexandria Walker. Mother’s Best is a rhyming picture book that is not part of the Pika Bunny series.

Anything else you think people should know about you, the book, or your process?

If there is a magic formula for writing, it would have to consist of investing the time and effort to write, being willing to display your soul (just a little at a time), trusting others to help you, and believing in yourself.

 

 

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Interview with Jendi Reiter, Author and Cofounder of WinningWriters.com

Winning_Writers_logoToday we have a real treat. Jendi Reiter, one of the cofounders of WinningWriters.com, set aside a generous amount of time to answer some burning questions. The site and its newsletter are fantastic resources for authors of every type. It was great to be able to ask about their mission and how authors can get help just by signing up to their free newsletter.

Best of all, two of her books are currently on sale! So, after reading all about the newsletter and the great resources, you can snap up copies for yourself. Links are at the bottom of this post!

You started Winning Writers back in 2001 with Adam Cohen. Now you have quite a staff, each of whom handle different areas or programs. How do you find such great people?

Thanks for the kind words about our amazing assistant editors and judges. A great thing about being an online business is that we can work with freelancers from all over the country—or the world!

We found two of our Best Free Literary Contests database editors, including our current editor Samantha Dias, through the Western New England Editorial Freelancers’ Network. Sam is diligent, creative, detail-oriented, and proactive about brainstorming ways to improve the database. Find her on LinkedIn for your academic editing jobs, but don’t take her away from us!

Several of our past and current contest judges were prizewinners in those same contests. We invited them because they were already in tune with the contest’s aesthetic, and the skill level of their own work gave us confidence in their ability to recognize quality entries.

Others were local writer friends, such as award-winning poet Ellen LaFleche, or friends of friends—we joke that one of our babysitters is the Winning Writers HR director because she’s recommended several people we ended up hiring. Nearly everyone in Northampton is a writer or knows a writer, it seems!

Additionally, we reach out to subscribers whose work we admire, like 2017 fiction and essay judge Judy Juanita, and contacts that I’ve made through my poetry and fiction publications, like poetry contest judge Soma Mei Sheng Frazier, who was the editor of OSA Enizagam when one of my stories won their contest.

WW offers several contests every year with significant prizes. What is the thought process behind taking on so many contest programs, considering that most arts organizations offer only one?

Something for everybody! We’re always tweaking our contest offerings in response to perceived demand and the gaps we see in the marketplace. The free Wergle Flomp Humor Poetry Contest is fun to judge, generates signups for our email list, and originally also had a scam-busting mission. (The vanity contest that inspired it has since gone out of business—we must be powerful!) There aren’t many contests for parody and humor poems, and the few that exist tend to prefer G-rated light verse that isn’t super original, in my opinion.

Everyone loves a good general-interest poetry and prose contest, so those are consistent earners for us, with over a thousand entries apiece in a good year. The North Street Book Prize for self-published books is meant to signal-boost great books that don’t have the insider connections and marketing budget to compete with major publishers in the marketplace.

Self-published, indie, and print-on-demand (POD) books are often at a disadvantage or straight-up ineligible for prestigious literary prizes. Meanwhile, the book awards programs that do welcome indies have large fees and frequently no cash prize—what are you paying for? We believe indie authors deserve better.

Your section on Contests and Services to Avoid is set up for very good reasons. I have noticed that a number of good organizations are suddenly demanding that authors who submit–whether they win, place, or are simply part of the ones who never make any short- or longlist–give them rights to publish part or all of their work. Often these nonprofits claim that the publications will help support the organization and their contests. What do you think of this approach, when it is taken by an otherwise respectable organization?

I am completely against this approach. No author should have to sign away their intellectual property merely for the privilege of entering a contest. If you don’t win or get published, the work you submitted to the contest is stuck in limbo—you can’t try to make money off it elsewhere, on the off chance that this contest will someday use it. At that point the contest starts to look like a scam to acquire a lot of free work from authors, instead of paying freelancers to contribute to their website or journal.

I especially dislike this trend when the contest advertises itself as “free” up front, and the rights grab is hidden in the long list of rules. I always push back against this when contest sponsors ask to be listed in the database, and I’m happy to report that sometimes they change the rules.

What, in your opinion, is the best part of heritage (i.e., traditional) publishing today?

Access to major distribution and marketing channels is an important advantage that will continue as long as reviewers, booksellers, and other gatekeepers persist in their prejudice against print-on-demand and self-published books.

Best part of the indie route?

More control over the content and book design. Not having to shop your manuscript around for years to an agent or traditional publisher.

What do you enjoy most about working on WW?

People send me free books! I get paid (more or less) to read interesting poetry and prose and to think critically about what makes it work, or not work. This is good for my development as a writer. I also love the opportunity to connect with writers and editors around the world.

What part would you like to see become easier, or larger, or farther-reaching?

We would like to see a more diverse entry pool for all of our contests. Except for the book prize, they’re all judged anonymously, but white ladies somehow end up in the majority in our winners’ lists. We’re working on our outreach to minority writers’ communities, as well as inviting judges from different backgrounds to join our contest staff.

What exciting things are in the pipeline for WW?

By popular demand, we’re adding two new categories to our 2018 North Street Book Prize for self-published books: poetry and children’s picture books. The other categories are creative nonfiction/memoir, literary fiction, and commercial/genre fiction.

Our 2018 final judge for the Tom Howard/John H. Reid Fiction & Essay Contest will be Dennis Norris II. He is a 2017 MacDowell Colony Fellow, fiction editor of Apogee Journal, and co-host of the podcast Food 4 Thot, a brilliant (NSFW) series with four multiethnic gay poets discussing literature and their love lives.

Jendi Reiter is the co-founder of WinningWriters.com, an online resource site for creative writers, named one of the “101 Best Websites for Writers” (Writer’s Digest, 2015-2016) and one of the “100 Best Websites for Writers” (The Write Life, 2016).

TN C 11 02Jendi’s award-winning books include the poetry collection Bullies in Love (Little Red Tree Publishing) and the novel Two Natures (Saddle Road Press), the spiritual coming-of-age story of a NYC fashion photographer during the 1990s AIDS crisis. Two Natures is on sale for 99 cents in Kindle and iBooks editions through October 15, 2017.

WW Newsletter: Thanks for your interest in Winning Writers! Sign up for the free monthly e-newsletter to receive access to The Best Free Literary Contest database, and join 96,000 Twitter followers.

 

Guest Post: Writing and Travel Boost Brain Power

Here’s a great guest post from Rita Robinson, an author and journalist.

Writing and Travel Boost Brain Power

Rita Robinson

Lone Horse Rider

 

Lightening flashed, thunder roared, and unrelenting rain bombarded our 21-foot RV as we crept along at about 20 miles per hour on I-40 near Nashville, Tennessee. We could barely see the windshield wipers slapping across the front window, and finally took an off-ramp toward a crowded Flying J truck stop.

Andy, my husband, squeezed our small RV in among the big rigs jammed side-by-side at the truck stop, while a steady stream of other trucks parked along the adjoining road, and the parking lots of nearby churches. The truck stop, without electricity and using generators, kept everything, except the gas pumps working, as it became the hub of activity for all who parked vehicles in the area.

Portions of I-40, a main interstate highway for cross-country truckers, eventually flooded, causing closures, during the news-making, and record-breaking torrential storms in May of 2010 in Tennessee.

Once the sun shown three days later, and the sweet smell of grass and spring flowers permeated the air, a mélange of people gathered outside the station’s restaurant chatting and shaking hands as if all had known each other forever. We felt rejuvenated, and ready to continue our trip.

Stimulate Writing by Breaking Routines

Such is the stuff of travel and also writing. We change our routines or plans, and consider it part of the travel or writing experience. Not that routines are bad, but it’s good to break them once in a while.

A few times traveling, with tornado warnings ahead of us, we’ve changed routes. We had once driven through a town hit by a tornado and had seen an RV like ours that had been thrown on top of a barn.

These types of experiences make us acutely aware of our surroundings, feelings, motivations, and the idea that we’re not always in charge. As writers, Andy and I know that writing also leads to adventures.

Change and Surprise Boosts the Brain’s Power

We’re at our best when we surprise ourselves with what we put on the page. Writing transports us, as if on a magic carpet, to places of delight, anxiety, fright, awe, insight, imagery, depth, spectacle, and unanticipated adventures, virtual or real. As Robert Frost said, “No surprise in the writer, no surprise in the reader.”

“Traveling new places, meeting different people and taking part in variety of lifestyles, including foods, shops, noises, and cultures, stimulates cellular connections and promotes brain resilience, so important to the health of your brain,” says Paul D. Nussbaum, Ph.D., Brain Health Center,  and Clinical Neuropsychologist and Adjunct Professor of Neurological Surgery, University of Pittsburgh School of Medicine.

Could this be why so many noted writers have also been travelers, or vice versa? Consider Mark Twain’s, The Innocents Abroad. He wrote “Travel is fatal to prejudice, bigotry, and narrow-mindedness, and many of our people need it sorely on these accounts. Broad, wholesome, charitable views of men and things cannot be acquired by vegetating in one little corner of the earth all one’s lifetime.”

Out of Our Comfort Zones

It does not take traveling great distances to jazz up the writing mind. Changing minor routines at home can give the brain’s neurons a kick in the synapses. Sitting in a different chair than usual; eating something never tried before; walking backward; changing the writing location, maybe from a customary desk to the kitchen table; sitting on the floor to write; or writing by hand on a tablet, removes our comfort zone and fires up the brain.

Published writers have composed in coffee shops, bus terminals, airplanes, on couches in front of TVs, sitting beneath cherry trees, at the beach, in prisons, and just about any place the imagination can travel.

Emily Dickinson wrote in an attic, Ben Franklin in a bathtub, and several have written in bed, including Marcel Proust (Remembrance of Things Past) and Barbara Cartland, prolific writer of conservative romance novels.

The editor-in-chief of a newspaper where I once worked knew about the beauty of making minor changes to jazz up a place. About every six months he would stomp out of his glassed-in office with, “OK, time to change our desks around.” We grumbled, since most had piles of other work to do. All, however, pitched in to push and shove desks and chairs to new locations with new views, and across from someone different. It worked, and we laughed at the feel of that kick in the synapsis.

We’re on an adventure when we travel, or when we write, and being open to change and surprises not only recharges the brain, it enriches our lives.

Interview with Christopher Zoukis, Author of Federal Prison Handbook

Interview with Christopher Zoukis, prison rights advocate and author of Federal Prison Handbook: The Definitive Guide to Surviving the Federal Bureau of Prisons.

How would your advice for new writers differ from advice you would offer writers who have been in the game for a while?

When it comes to those new to professional writing, I would say that you need to read what you want to write and also read a lot about how to refine your craft and market yourself. It’s hard to get going in this industry. But with a lot of time and effort, it is certainly possible to make a name for yourself. The key is in understanding the type of writing that you want to write and how to market your brand within that arena.

As for those who have been in the industry for a while, the game is changing. It used to be that if a book wasn’t published by one of the Big Six that it didn’t stand much of a chance. Now, even if a book is published by a large publishing house, it still might not stand much of a chance. New technologies and avenues of connecting with readers are the wave of the future. Harness these tools, think outside the box, and figure out how to get your expertise (or flavor of fiction) to the end user in a manner that they want. The current era is that of the hybrid author — an author both traditionally published and self-published. There is a strong argument for pursuing the hybrid path in today’s market.

When you take a break from writing, is it a full and total break or is your mind constantly parsing the world for fodder? What does that parsing look like? How does it make you feel as an artist? As a human being?

As a writer I feel that I’m an odd sort. I’m all on or all off. So, when I’m all on, I write like my life depends on it. I outline, create a self-imposed quota system, and muscle to the finish line. I’ve found that when working this way it is important to take time off. This is why I try to vary my tasks, and to cycle whenever I can. I go from books to articles to book reviews to interviews and so forth. I also try to build in projects that aren’t writing-related. I work out, play Ultimate Frisbee, and try to schedule a little time each evening to hang out with a friend to decompress.

One word of wisdom that I would offer aspiring book writers (and those who have already published their works) is to really think about what type of book the world really needs. I always have five books in the back of my head. They are all worthy, at least in my not-so-humble opinion. But when it comes to devoting a year of my life to something, I need to select a project that is going to succeed. So, when deciding what to do next, a writer should really think about the reader and the industry. What is missing? What do readers crave? And is there a book that readers don’t even know that they want, but won’t be able to live without once they have it? This is the book that you need to write next.

From your perspective as an author, what do you feel is the biggest challenge to the publishing industry today? Is there a way to solve that challenge?

Making money as a writer is a challenge. Most of us will never be New York Times bestselling authors. That’s the truth of it. So, we need to find a way to make our writing work for us and pay the bills. As a nonfiction author, one way to do this is to use your book as a business calling card, which draws attention to your primary product — which may not be your book. Writers who want to live a comfortable life need to plan on not making a whole ton of money on their books, but to structure their books and businesses in such a way that a revenue channel can be capitalized upon.

What books are you currently reading?

I tend to read a lot of school books these days due to being a graduate student at Adams State University. So, typically I’m reading a lot of business textbooks. I just finished a book on organizational behavior last week and am about to start a book on managerial finance shortly.

I also engage in a healthy amount of non-school reading. Right now I’m reading the Magisterium series of novels by Holly Black and Cassandra Clare. These are phenomenal books. They remind me a lot of Harry Potter. I’m also reading Journalistic Writing by Robert M. Knight to help hone my craft a bit and Bigger Leaner Stronger by Michael Matthews to upgrade my fitness knowledge.

Finding the discipline to keep writing can be tough. Which “get writing” techniques are most effective for you?

I try very hard to cycle my projects, because I find that I get burned out very easily. So, the best “get writing” technique that I have is to vary my projects. A close second is to outline and implement a self-imposed quota system. If I’ve outlined a 20 chapter book, then I might push myself to complete a chapter every week or two. Then, after the rough draft is down on paper, I might set a quota of polishing one chapter every week. This quota-based system helps me push myself to project completion. In this respect, I’m very business-like with my writing projects. I like to think of myself as a project manager who needs to ensure that the writing project is done on time, at an appropriate level of quality, and that it fulfills my readers’ needs.

Can you give us a sneak peek into your current project?

Sure. If you swing by PrisonerResource.com you can check out my Federal Prison Handbook. In this book I’ve tried to answer all of the questions that a new or seasoned federal prisoner, as well as their loved ones, may have. You can also use the “Look Inside” feature on Amazon.com. This provides readers with a sample of the book prior to purchase.

Author Interview: Cory Groshek

This author interview arrives in time to help with the new year and all those new projects you want to tackle. Cory Groshek has written the first book in a series that teaches readers young and old how to create abundance.

Breaking Away is a ton of fun with warmth that you’ll feel every time you read and reread this book. Here’s what Cory has to say.

What was your motivation to write this series?

It was the fact that our public schools are not teaching our children what they really need to know to be successful later in life—how to dream big, why risk-taking is necessary, the importance of trusting their gut, and why they should always make decisions based on faith (or on what they do want) and not out of fear (or on what they don’t want).

Growing up, I wasn’t taught any of this, and I really wish I had been, because had I been, I believe I wouldn’t have taken 33 years to release my first book, or to achieve the success I’ve achieved in the last couple years in general. My hope with the Rabylon Series is that it will inspire children (and their parents) to not only dream bigger, but to act on their dreams and thereby see them become reality, as mine have.

When you take a break from writing, is it a full and total break or is your mind constantly parsing the world for fodder? What does that parsing look like? How does it make you feel as an artist? As a human being?

I am constantly engaged in deep thought, so while I may take a break from writing to focus on, say, marketing or promoting my work, I never take a break from creativity. I couldn’t shut my mind off or stop its gears from turning even if I wanted to (which I don’t), and I am always brainstorming new ideas for stories, books, blog posts, etc. As such, I keep my smart phone or a notebook handy at all times, just in case I need to write down or text some of my ideas to myself.

Being bombarded with so many ideas all day, every day can leave me feeling overwhelmed at times, but overall I find it exhilarating. I love the warm, fuzzy “rush” I feel when a strange, new thought pops into my head, and I feel very blessed that so many such thoughts dawn upon me, because I know a lot of people who struggle very hard with writer’s block and/or who try (in my opinion) too hard to force ideas, instead of just letting them come to them (as I do).

If I could give one piece of advice to anyone out there struggling with coming up with new ideas (or “fodder”, if you will) for books, stories, etc., it would be this: Be not only open-minded, but openhearted as well, when it comes to the thoughts and ideas that come to you. Don’t worry about whether they are “good” or “bad”—just let them come to you. And when they do, your job is not to judge them, but to simply absorb them (like a sponge), so that you can use them later as the raw material from which you may craft your next story, book, etc. That’s what I do, and it’s worked out great for me, not only in terms of book- and blog-writing, but in terms of general, all-purpose brainstorming as well.

From your perspective as an author, what do you feel is the biggest challenge to the publishing industry today? Is there a way to solve that challenge?

The biggest challenge is getting noticed—in “separating ourselves from the pack” or “rising above the noise”, so to say, that surrounds us in this busy world we live in. In Robert Greene’s brilliant book (and one of my personal favorites) ‘The 48 Laws of Power’, one of the laws is ‘Court attention at all costs’—which basically means “do whatever you have to do to get everybody to look at you instead of someone else”—but judging from what I’ve seen, that is far easier said than done.

Today, we are drowning in any ocean of Tweets and ten-second sound bites, and it is much more difficult to “cut through the clutter” and get peoples’ attention than it used to be, especially if you are an introverted author, and especially whereas Amazon.com is filled with millions of self-published books that are really nothing more than glorified blog posts written not for the sake of enriching the lives of others, but for the sake of making a “quick buck.”

The way to solve this challenge—in my opinion—is to stop thinking like an author and start thinking like a shameless self-promoter (as “bad” as that may sound); to start thinking like, dare I say it, a Kardashian. As much as we as authors don’t want to make “it” (this whole “selling books” thing) about us, we have to if we want to be successful. You see, people don’t just buy books these days—they buy the author, just like how people go to see movies because, say, Matt Damon (or whichever actor or actress they love the most) is in them, regardless of what the movie is about.

We as authors need to stop thinking of ourselves as authors and to start thinking of ourselves as brands, like the Kardashians do. While this doesn’t necessarily mean putting out sex tapes to generate publicity for ourselves (although it worked for Kim Kardashian), it does mean thinking outside the box, doing things that other authors wouldn’t even consider doing, and being just as creative with our marketing and promotion of ourselves as we are with the stories we tell in our books.

If you think you’re simply going to throw your new book into the Amazonian Sea of Mediocrity that surrounds us, like it’s some sort of message in a bottle, and have this lead to millions of dollars in book sales, a movie deal, and a billion-dollar net worth like J.K. Rowling’s, then I’m sorry, my friend, but you are sorely mistaken. If you want to be like J.K., you can’t just be a “writer” or an “author” , and you can’t just leave your success up to luck or random chance (which don’t exist, by the way)—you must become a brand (like McDonald’s, Starbucks, or Apple) that people know and love, like they love their cheeseburgers, lattes, and laptops. As for how you can go about becoming such a brand, well, I guess you’ll have to visit my blog, ManifestationMachine.com, for help with that!

WR Note: Anyone who signs up for the blog is going to get freebies!

Finding the discipline to keep writing can be tough. Which “get writing” techniques are most effective for you? 

For me, finding the motivation to write is not about discipline—it’s about knowing, first of all, what I want to write and, second, why I want to write it. If I don’t know the what or the why, then I don’t even bother trying to write, because without the what and the why, then the how (the actual process by which the writing physically happens, or by which the story or book we have in mind comes to fruition) cannot manifest itself. I find that once I’ve got the what and the why down, then the how (the sitting down and actually writing) takes care of itself.

When I hear other writers complain that they don’t have “enough time” to write, it’s not that they don’t have the time; it’s that they haven’t created the time. And if I hear them complain that they find it very difficult to force themselves to just sit down and write, the problem isn’t a lack of discipline—the problem is that they either don’t know what they want to write, or they simply don’t care enough about what they claim they want to write to actually write it (or both). Simply put, if you have clarity on what you want to write and conviction to get the writing done, it will get done—if not, then it won’t. End of story (no pun intended).

Can you give us a sneak peek into your current project?

My next project is a book I’ve had in mind for the last year or so, which is a self-help book for adults named after my personal growth and development and brand, Manifestation Machine. It will focus upon a metaphysical process (involving what I’ve labeled “The Four C’s”) for achieving our dreams and creating what I call “a life worth dying for” that I’ve personally used to go from a working part-time in a dead-end job, living at home with my father, and being in debt up to my eyeballs to self-employed (doing what I love), living in a fully paid-off house of my own, and having a net worth of over $300,000.

What Children’s Books Can Teach Adult Fiction Authors

The AWP held their annual conference earlier this month. Among their other great offerings was a panel focused on children’s publishing.
One author stated that characters are paramount in children’s and YA stories. The plot comes from the characters. Who each person is in the story creates the story. Each is presented with challenges or obstacles they must overcome. From that comes the different plot points and thus the entire story.
Another point was that there are no pointless characters. If one shows up but never plays an important role, that character should be struck.
A different author noted that “rumination” is part of the story. That is, the characters have to have backstories, histories that detail where they come from and why they’re motivated to act certain ways.
Finally, in response to a question about how to write for the market, one author said to write what inspires you. From there, you can determine how best to pitch and place the work in the existing market.
All of these points apply equally to adult fiction. Characters do create the plot and impact the story. They should have backstories. No character should ever be pointless, and the author should always write what interests them rather than what they think will sell.
The only difference is that in children’s and YA publishing, the author utilizes different language, changes sentence layouts, uses less complex storytelling structures, and of course mostly will write shorter manuscripts.
Everything else is just quality fiction.

Eink on Phones

Midia Inkphone is not the first on the market to offer eink on a phone. It is, however, an indicator that people are reading more on their phones than ever before.

I have been waiting for a device like a phone or an iPad to allow for both internet browsing and eink displays for American readers (both devices now available are for foreign markets). I don’t particularly enjoy reading on a full digital display. It just isn’t the same. And studies comparing the impact between digital reading and reading on the page prove that the brain retains more with print.

So eink is a good midway point. It will help readers engage more with the story or content. It also is much easier on the eyes!