Reedsy, a huge freelancer’s site, selected Inception: $250 for the Best Opening as one of the Best Contests of 2019. Check it out before it closes October 31.
Sunspot Literary Journal wants your best fiction, nonfiction, or poetry opening. No restrictions on theme, category, or length of the piece from which the beginning is excerpted.
Length for the entry: Up to 250 words for prose. Up to 25 words for poetry.
First place winner will be published, and finalists will be offered the opportunity to be published. Enter as many times as you like. Simultaneous submissions accepted. Work can have won other awards without being disqualified.
Cash award of $250 for the winner.
Closing October 31, 2019.
Last November, I interviewed children’s author Wendy Gilhula about her work. Here’s a link to the interview to refresh your memory. At the time, she was celebrating the release of her first picture book, Pika Bunny and the Thunderstorm.
I blogged about that, too, here, calling it the Cutest Dual-language Picture Book! The work was published as separate editions in English and Spanish, with another edition in English and Spanish.
Now her second book is out. Pika Bunny Has a Big Question is available just in time for Wendy to be featured by her publisher at Book Expo of America (BEA). That’s big news for any author. It’s even better for Wendy’s fans, because she’ll be at her publisher’s booth signing copies.
The second book is already available in English. The dual-language edition is in the works and will be available soon. Meanwhile, worksheets based on Pika’s adventures are available for free at Wendy’s website. They are really, really cute! And they are also available in English and Spanish.
When I wished Wendy good luck, I told her I hoped she sold a ton of books at BEA. Then I asked, “How many Pika Bunnies are in a ton?”
Her answer: “There are about 5,333 Pika Bunnies in a ton.”
Let’s help her sell a ton of Pika Bunnies, and encourage literacy and multilingual abilities in kids!
Last week, I wrote about Gilhula’s debut children’s picture book, Pika Bunny and the Thunderstorm. This week, you’ll hear directly from the author!
First, she wanted to share her journey to creating this story and the other adventures of Pika Bunny. She writes:
While tutoring math in my home in Knoxville, TN, one of my students looked around at my small downstairs and innocently asked, “So, what do you do all day before tutoring?”
I just looked at him and smiled. What I wanted to say was, “Oh, I write children’s books that no one is ever going to read.”
But I kept thinking about his question. More importantly, I kept thinking about my answer! I decided to be brave and find a professional to help me in areas where I did not feel confident. That was the best move I could have made.
So, writers, be brave! Follow your dreams. Keep working, and reach out for help when you need it.
Now, here are the rest of Gilhula’s thoughts.
How would your advice for new writers differ from advice you would offer writers who have been in the game for a while?
The advice I would give to a new writer would be some of the same advice that I gave to myself.
- Just write. If you have a story to tell, tell it.
- Show your work to someone. Notice that I didn’t say, “Share your work.” Share sounds too intimidating. But don’t hide your work in a drawer for twenty-five years like I did, either!
- Pay a professional to look at your work on an artistic level, for consistency, and for editing and grammar in general.
- Join SCBWI or start networking in your area to meet people and share experiences.
- You are never too old to start. (I’m 52.)
When you take a break from writing, is it a full and total break or is your mind constantly parsing the world for fodder? What does that parsing look like? How does it make you feel as an artist? As a human being?
After college, I was a modern dance choreographer and instructor for almost twenty years. My creative brain has always worked while I am sleeping. The minute I awoke, I already had concepts and some of the choreography. Even today, as I have been a math tutor for almost fifteen years now, I will wake up with an answer to a problem that I didn’t have time to finish the night before.
In the morning, I will have my coffee and work on the latest ideas that I have for a book or my current project. After that, it is a total break for the day as I give try to give my students my full attention.
As an artist, I’ve always been told that I don’t think like everyone else. When I was younger, I didn’t like that comment, because I wanted to be like everyone else. Now that I am older, I embrace the difference.
As a human being, one moment I can I feel like I’m freely walking and weaving a path between art and humanity, and the next I feel like I’m tripping on air.
From your perspective as an author, what do you feel is the biggest challenge to the publishing industry today? Is there a way to solve that challenge?
Since I’m just newly published, I do not have a full understanding of the industry. But I can say that money and promotion are probably the biggest challenges.
What books are you currently reading?
Currently, I am reading books by my cousin, Scott Christopher Beebe, who does not believe in editing whatsoever. His writing is exposed and raw. Some of his thoughts progress halfway down the page before you see any punctuation.
These books are not my usual choices, and not my usual choice of words (and types of adult themes). But there is something transparent and crude about how he thinks that is intriguing and sometimes haunting.
Most days I like to read books on topics that I would not typically write about, like mystery.
Which authors do you think are underappreciated in the current market, and why? Which new writers do you find most interesting, and why?
I gravitate to new writers of children’s picture books that aren’t getting the big publishing house launches. Those writers who must create everything to launch their own work into the world intrigue me because of their sheer passion.
Finding the discipline to keep writing can be tough. Which “get writing” techniques are most effective for you?
Since I wake up with the actual drive, my tactics are more of getting the ideas to stop and slow down. Then I can evaluate and experiment. Not every idea is a good one on its own, but it may be the start of something that I want to pursue and explore.
Can you give us a sneak peek into your current project?
The next step in the Pika Bunny Learning Series is to illustrate the second book. Adrianna Allegretti is working on the illustrations now for Pika Bunny Has a Big Question. This one is due to drop in spring of 2018. It will be published by Apollo Publications.
A really different project is also underway. The illustrations for that are by Alexandria Walker. Mother’s Best is a rhyming picture book that is not part of the Pika Bunny series.
Anything else you think people should know about you, the book, or your process?
If there is a magic formula for writing, it would have to consist of investing the time and effort to write, being willing to display your soul (just a little at a time), trusting others to help you, and believing in yourself.
Juvenile author Wendy Gilhula has sent me a copy of her debut work. Pika Bunny and the Thunderstorm has some of the sweetest illustrations I’ve seen in a long time!
Gilhula and I worked together some years ago on prose and poetry she had written. The ideas she had just would not let her go. One of them was a series of stories about a bunny named Pika.
Pika Bunny explores the world and illustrates the most touching elements of the parent-child relationship. After Gilhula put her ideas down on paper, she found a publisher who wanted not just one of the works, but several.
Today she is celebrating because Pika Bunny has found life in several formats. The debut story is available in paperback and hardbound versions. There are also English-only and Spanish-English editions, for a total of four versions!
When I received my copy, I reread the story that had demanded the author’s time and focus. Pika Bunny is frightened by a thunderstorm. Then he learns all the good things about rain and thunder. Pika Bunny triumphs over his fear!
From the first page, I really was taken in by the illustrations. Adrianna Allegretti is the illustrator here.
Like most children’s books, the illustrations stay focused on the characters. In a few places, however, Allegretti opts to draw only the storm or other elements of nature.
The combination of the characters in nature, in their cozy interior spaces, and the ones that allow nature to roam free across the page lend this work a particular feeling readers will love.
One of the coolest things about Pika Bunny is that the work is available in a dual-language version. The story is told in Spanish and English, with the same text running in both languages on the same page.
The work has been nominated for the Society of Children’s Book Writers and Illustrator’s (SCBWI’s) Golden Kite Award.
Of special note is the dedication in the front of the book. Gilhula thanks a number of individuals, all by listing their first names and the first initial of their last name. These are all kids who were her beta readers!
She wanted to honor the contributions of these dedicated fans. And here she has, while also preserving their identities and therefore their safety.
Want more of this cuteness and sweet words? Tune in next week for an interview with author Wendy Gilhula!