Just wanted to share this contest with you poets. It is run by some really great folks, and the prize is $1500 plus publication.
On Friday, I took advantage of a fourteen-hour layover in Paris, France. With so much time to spend, I headed into the city for a quick look around.
The indie bookstore Shakespeare and Company was on my list. The shop is on a street known for the vendors who set up book stalls along the Seine River. Their location is near Notre-Dame Cathedral and the Louvre.
Shakespeare and Company is an English-language bookstore in the heart of Paris. The building was originally constructed as a monastery. An old tradition held that one monk was assigned the duty of lighting the lamps at nightfall. The bookstore’s founder, George Whitman, cast himself as that monk when he began operating a store that would provide light through literature.
A great look at the realities of hybrid publishing.
On Tuesday, we talked about publishers soliciting authors in the guise of a publication offer.
That’s not a book deal. That’s a (slick) commercial for their services.
But for some authors, “hybrid” publishing works. Could it be right for you?
Old-school vanity publishers know their terrible reputations, and many have rebranded as “hybrid.” They charge authors a “contribution” that pays their costs and a healthy profit margin. They don’t care if your book sells—they already made their money. You may end up with cartons of unsold books, text badly or not-at-all edited, dreadful covers, crappy page design.
True hybrid presses offer a legitimate package of publishing services. It costs more than self-publishing—they still profit before selling your book—but you’re not doing it all yourself. Hybrids can provide a smoother publication process, bookstore placement, reviews, and some of the legitimacy of an imprint.
Is hybrid right for…
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Just wanted to share this most recent publication, an amusing essay about the foibles of the writing life. Other artists might find themselves in these anecdotes, as well!
Here’s the opening, followed by a link to the full essay:
The life of an author can be peculiar. Certain experiences ought to be grand events accompanied by trumpets and elephants, or at least a little snowfall of confetti and cake served up by your bestie. Moments like winning an award. Or signing with an agent. Or plunging into a writing career possessed by a passion that surely will mulch any obstacle in the wood chipper of artistic devotion.
For several months, I have been delighted and moved by the short graphic stories produced by artists and author Dasha Ziborova. Once a month, she produces a graphic story about a part of her life, something that spurred her thoughts, or a fiction…usually one that is moving and funny at the same time!
To check out her stories for yourself, go to her page on RealTimeInInk. There you can get a glimpse of the kind of artwork she produces. You can also follow the link embedded in the page to sign up for the subscription yourself.
Here’s how she describes her work:
Real Time In Ink is a series of graphic stories by artist and author Dasha Ziborova. It covers a broad range of topics from people, places, parenting, art, music, cats, food, travel, to occasional politics and scary crazy Russians.
Dasha Ziborova is a graphic novelist, picture book illustrator and a muralist. She was born in St. Petersburg, Russia and came to New York in 1991. Since then Dasha illustrated five children’s picture books including the award-winning Crispin the Terrible published by Callaway Editions, and In English, of Course and The Numbers Dance by Gingerbread House. She is currently working on developing short graphic stories about New York and it’s inhabitants.
Here is a repost of a book review from last year. I’ll have a review of the second title in this series posting on December 8, so be ready for the latest on this historical series!
Release date: August 2016 from Thomas Dunne Books
This power-packed historical novel is the first in a series…and it’s going to have readers beating on the publisher’s door for more.
Look, I’ll be the first to tell you that historical fiction can be a real slough. In the wrong author’s hands, novels set in any time period earlier than maybe 20 years ago can bog down in details…what folks wore, how they acted, the mores of their society, what their culture told them was right, how they rebelled…endless, really.
But in a strong author’s hands, historical fiction is a true delight. And that’s what Noce has delivered with Between Two Fires: a work that moves along briskly while providing everything they need to know to dive into the period. Never once will readers be left wondering, “What. What? Who? How did that happen?”
Part of the strength of this work…
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