Laine Cunningham is an award-winning author, ghostwriter, and publishing consultant who has been quoted on CNN Money, MSNBC.com, FoxNews.com, and other national and international media.
Her novels interweave social, cultural, historical, political and spiritual movements that have occurred within different groups and at different times. These elements engage readers in discussions of how similar forces have changed or are changing the contemporary world…and what might lie in our future. When individuals recognize how large issues build over time from multiple small steps, they recognize that everyone can foment change through their choices and their decisions.
Her work has won multiple national awards, including the Hackney Literary Award and the James Jones Literary Society fellowship. In past years, the Hackney Award was received by Horton Foote and William Styron, placing her in the ranks of Pulitzer Prize-winning authors.
She has received dozens of fellowships and residency slots from programs like the Jerome Foundation, the Vermont Studio Center, the New York Mills Cultural Center, Wildacres Center for the Humanities, Arte Studio Ginestrelle in Assisi, Italy, the TAKT Kunstprojektraum in Berlin, Germany, Fusion Art in Turin, Italy and The Hambidge Center.
Her nonfiction books include "Writing While Female or Black or Gay: Diverse Voices in Publishing," which includes tips on re-engineering the publishing industry with grassroots actions. She is also the author of the travel memoir "Woman Alone: A Six-Month Journey Through the Australian Outback" and a series of Zen and Wisdom books combining unique inspirational text with beautiful photos.
Despite having grown up in the countryside I have never really had much of an affinity for it; as a child I learned the names of trees and grass, I learned to swim in the river a couple of miles along the track, I fished it too or at least I sat and stared at the ripples and bobbing float until my thermos of tea went cold.
Ultimately, I was bored and wanted away the first chance I got, village life rarely offers a teenager much and cannot compete with sordid appeal of the city.
So, it’s odd how now I am finding myself searching for the sanctuary of nature, as a photographer I had never really shot landscapes as such and yet here I am up to my arse in brambles.
For the last two weeks, I’ve been enrolled in workshops through the Summer Literary Seminars (SLS) out of Montreal, Canada. Morning workshops run for the entire two weeks, while afternoon workshops run one week each.
The program is hosted by the Writer’s House of Georgia. Located in Tbilisi, the building was completed in 1905. The Art Nouveau architecture blends Georgian and European influences, and the building has witnessed many important historic events, particularly in the political realm.
Although the building is in the heart of the city, the Writer’s House is a quiet sanctuary in the city. The central courtyard hosts a lush garden that stays cool even on the hottest days.
Stop by when you are in Tbilisi, or consider writing and learning with the SLS programs.
On Friday, I took advantage of a fourteen-hour layover in Paris, France. With so much time to spend, I headed into the city for a quick look around.
The indie bookstore Shakespeare and Company was on my list. The shop is on a street known for the vendors who set up book stalls along the Seine River. Their location is near Notre-Dame Cathedral and the Louvre.
Shakespeare and Company is an English-language bookstore in the heart of Paris. The building was originally constructed as a monastery. An old tradition held that one monk was assigned the duty of lighting the lamps at nightfall. The bookstore’s founder, George Whitman, cast himself as that monk when he began operating a store that would provide light through literature.
On Tuesday, we talked about publishers soliciting authors in the guise of a publication offer.
That’s not a book deal. That’s a (slick) commercial for their services.
But for some authors, “hybrid” publishing works. Could it be right for you?
Old-school vanity publishers know their terrible reputations, and many have rebranded as “hybrid.” They charge authors a “contribution” that pays their costs and a healthy profit margin. They don’t care if your book sells—they already made their money. You may end up with cartons of unsold books, text badly or not-at-all edited, dreadful covers, crappy page design.
True hybrid presses offer a legitimate package of publishing services. It costs more than self-publishing—they still profit before selling your book—but you’re not doing it all yourself. Hybrids can provide a smoother publication process, bookstore placement, reviews, and some of the legitimacy of an imprint.