Available March, 2015 (ARC received from publisher)
Very interesting concept: a man dead for some time has built a career in the underworld preserving the flesh and bones of other deceased individuals. When Jacob learns that a Living Man has passed the borders between the living and dead worlds, he begins a quest to find the Living Man and learn how to return to the land of the living…as a corpse, yes, but one with a mission.
The world of the dead is interestingly illustrated but isn’t the primary draw with this work. Instead, it’s about how Jacob handles his quest and, of course, the personal reasons he has for it, which he will not reveal to his companions: a boy who can control the bones of the dead and a foppish criminal. The interweaving of these elements truly sets this work apart.
However, the narrative elements and choices the author have made work against those elements. Generally, whenever Jacob needs to learn something, he is told a story. In dialog. Long dialog that, while it holds true to individual speakers’ voices, is a weak way to convey such large chunks of information. It makes you wonder if he’s trying to mirror the oral origins of the underworld quest used for this narrative. If so, the author could have done so with far fewer dialog dumps and instead utilized stronger narrative tools.
3 stars.

Young Steven’s life is marked by loss. When his mother divorced her husband, Steven lost his father. When his mother moves back to live with Steven’s grandmother, he loses his original home. And because the loss is generational, compounded by his mother’s loss of her brother to a serial killer, Steven’s life has been spent in a darkness that always seems to grow.
Desperate to fix the fractures in his family, he spends his afternoons digging random holes in the moors, or blacklands, where the brother is likely buried. His obsession is so complete he implements his own loss by alienating his friends. When he realizes the foolhardiness of his mission, he doesn’t turn away. Instead, he turns to the serial killer.
He begins writing to the imprisoned killer. Avery enjoys the correspondence as a way to spend the last two years of his incarceration…until he realizes Steven is a child. Then he becomes determined to break out and take advantage of the control he has over one last innocent. Steven’s redemption and his life seem surely to be lost when the killer walks free. A gripping, intense ride that holds the family at its heart.
5 stars!
Two other novels blend the intensity of crimes against the innocent with compelling personal journeys. Message Stick, winner of two national awards, is a gripping psychological thriller that follows a man’s journey through the personal history he has too long denied. He Drinks Poison is an erotically tinged thriller that traces a woman’s acceptance of her own dark power as she faces down a serial killer.
For a novel that delves into childhood pain and eventual redemption, try Cosette’s Tribe.

At times, I wasn’t quite sure what to make of this novel. I enjoyed it a great deal, especially the parallel stories told from historic times and how they lined up with the present narrative. I wasn’t always sure how the two connected, though…I wanted a bit more meaningful commentary from the protagonist on what she was learning about those past lives and how they resonated in her present.
Overall, though, it was a very, very enjoyable read. Funny at times with a depth that really draws me.
4 stars!
For another novel that interweaves past stories with the present, try the two-time award-winner, Message Stick.

Set in a very different type of society than The Giver, Gathering Blue takes readers to a world in which unknown events (or events hidden from the masses) have left a previously advanced society in a primitive state. Although the village is set up cooperatively, little cooperation truly exists among these people. They argue constantly, children are neglected at best and unthinkingly abused at worst, and a Council of Guardians protects their own rule as much as the population.
Kira, a young girl born crippled in one leg, would have been exposed to the environment and left to die had her mother not utilized her tenuous political connections to preserve her life. When her mother dies, the fatherless girl is again faced with being expelled from the community.
It seems, however, that her talent is uncommon. She is selected by the Council for special treatment, and is taken into the Council Edifice where the quality of her life is exceptionally better. But the work that she performs, caring for the robe of the Singer who preserves the village’s history, is dictated by the Council’s demands rather than her artistry.
When her mentor hints that the world is not exactly as the Council claims, the old woman dies suddenly. Kira begins to question the death of her father by terrible beasts—none of which have actually been seen in the woods surrounding the village—and then her mother’s passing.
The story is compelling because Lowry makes us care about Kira and her friends. But the plotline gives out at the end. Everything clearly is leading up to her discovery about Council secrets; instead, the book ends when Kira discovers the way to create the color blue.
Now, that in and of itself is important. Blue is a lost art, and is accessible only when she breaches the walls of secrecy and risks her life to discover the truth. But the truth is not fully drawn in this book. Instead, she comes to the edge of the truth, and readers are left to hover. Satisfying in some ways, dissatisfying in others.
4 stars.

This novel is one of the most unique concepts I’ve encountered. Many authors and film writers have worked with plots that take characters into the minds of others. Many of these works have explored new territory but, because there isn’t much depth, the concept wears thin after a few stories. Mr. Ruins takes this concept much deeper, and does so in a way that is compelling and creative in its execution.
Mr. Ruins is written in alternating chapters that flip between Ritry Goligh’s activities in the material world and his spelunking inside a mind intend on destroying him and his team. Although Ritry is exceptionally good at his job as a greysmith, his success hasn’t given him much in life. In fact, it has kept him away from the one woman he truly loves, and he has banished himself to live on the fringes of a world inundated with tsunamis.
The precarious floating world, strung together from the debris of old, flooded cities and floating ships that didn’t survive the epic initial storms, mirrors Ritry’s internal environment. As the chapters unfold, readers learn about the tortured past that created a person who, although able to dive into anyone’s mind, can’t form the connections that make us human and buoy us atop the waves. Before he can make any progress, he needs to find himself…and that process just might kill him.
Very well written with only one ding: the use of the word BOOM (yes, always in upper case letters) to convey explosions and other loud sounds. The prose is really a cut above most hard science fiction novels, so to have the author fall back on such a weak way to describe the chaos—especially with such frequency—was disappointing. However, that’s a very minor ding and won’t prevent readers from enjoying what is truly an engaging work.
I also disagree with the decision of the author to warn about violence and graphic language on sales platforms. There’s nothing here that is so objectionable readers need to be warned. Don’t let that turn you aside, and don’t prevent your precocious teens from picking up this work, either.
The author photographs ruins and often finds inspiration amidst the wreckage of humanity’s past.
The novel comes with a glossary that defines in-world words for those who enjoy or need that but the prose integrates the terms so well you won’t need to refer to the glossary while you read.
5 stars!

By Stephen King.
I picked this up because a friend was reading it and was enjoying the multiple points of views. Right away I remembered why I stopped reading King so many years ago.
The characters are too folksy-jokey for me, the plot points often seem to be included only for laughs, and while the level of writing is common for genre works, the lack of any other driver made me put it down. I really wanted to read this book because I thought that as a writer who works with multiple viewpoints, it might have something to offer. But I just couldn’t get through more than 30 pages. Pure torture all the way.
One star.

By Sandro Veronesi
I abandoned this one after about 100 pages. That’s pretty unusual; normally if I get past page 30 or so, I like something about the work enough to read the entire thing. But here, the narrative was too annoying. The author was replicating the chaos and emotional turmoil through the craft on the page. After a time, it was simply wearing. It kept me too distanced from the characters, oddly enough, because it was meant to take me deeper into that world.
Two stars.

When I first found this on the shelf, it had just come out. I was interested in unique crime fiction and this fit the bill.
I am not terribly much interested in historic Russia but the author sucked me into this world with his character. This is one of those books that you really should try. Give it 30 pages and see if you don’t also get sucked in!
My only dislike was the ending. The climax was over much too quickly. A technical flaw that hopefully the author will correct in future novels.
5 stars!
Interested in more crime fiction? Try He Drinks Poison, a gripping thriller.