Author Archives: Laine Cunningham

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About Laine Cunningham

Laine Cunningham is an award-winning author, ghostwriter, and publishing consultant who has been quoted on CNN Money, MSNBC.com, FoxNews.com, and other national and international media. Her work has won multiple national awards, including the Hackney Literary Award and the James Jones Literary Society fellowship. She has received dozens of fellowships and residency slots from programs like the Jerome Foundation, the Vermont Studio Center, the New York Mills Cultural Center, Wildacres Center for the Humanities, Arte Studio Ginestrelle in Assisi, Italy, the TAKT Kunstprojektraum in Berlin, Germany, Fusion Art in Turin, Italy and The Hambidge Center. She is also the author of the travel memoir "Woman Alone: A Six-Month Journey Through the Australian Outback" and a series of Zen and Wisdom books combining unique inspirational text with beautiful photos.

Author Interview: Teri Kanefield

Teri Kanefield is a prolific author who has written a number of juvenile books. Tomorrow a review of a novel that is suitable for readers of every age will post. Meanwhile, Teri gives us a peek into the author’s life!

-How would your advice for new writers differ from advice you would offer writers who have been in the game for a while?

The age-old advice given to new writers is to be patient. It takes a while to really learn the craft of writing and to find your own voice. But new writers don’t want to be patient! Most new are impatient and optimistic. (After all, as Flannery O’Connor once said, only an optimist sits down to write a novel.) So my advice would be: Don’t get discouraged. Write the kind of books you love reading and have faith that eventually your readers will find you.

-When you take a break from writing, is it a full and total break or is your mind constantly parsing the world for fodder?

I’m always writing something. I think being a writer is a way of life rather than an occupation. As soon as I finish one project, I begin another. As far as what the parsing looks like: My friends tell me I analyze too much. I’m always wondering what makes people tick. If I don’t understand something or someone, I keep mulling it over. Eventually it ends up in a book, usually as a facet of a character.

-From your perspective as an author, what do you feel is the biggest challenge to the publishing industry today? 

The publishing industry is going through a major upheaval. Personally I think the major changes—the rise of ebooks and the ease of buying books online—are good for most authors and all readers. It’s good for readers because now millions of books are available at the click of a mouse. Think of readers who would ordinarily have a hard time visiting bookstores: People in hospitals or nursing mothers.

I think the changes are good for writers because self-publishing and sites like Wattpad open up new opportunities. These changes, though, are causing traditional publishers to lose marketshare. There isn’t an easy fix for publishers, particularly because most are corporate owned, so change comes slowly. What I’d like to see are new ways for self-publishing to become even more viable, particularly for children’s book authors. This obviously won’t help publishers, but my interest is seeing opportunities expanding for writers.

-What books are you currently reading?

I am reading a book from 1999, George Stephanopoulos’s All Too Human. In election years I become a political junkie.  My two favorite books I read in the past year were The Little Book, a Novel, by Selden Edwards, and Flipped, by Wendelin Van Draanen.

-Which authors do you think are underappreciated in the current market, and why? 

I was bothered a few years ago by a study showing that traditional publishing still favors men authors over women, even though most book buyers are women.

http://www.theguardian.com/books/2011/feb/04/research-male-writers-dominate-books-world

In contrast, I’ve seen studies showing that in the world of self-publishing, women are doing just as well as their male counterparts. I think there are subtle ways the traditional industry still favors male writers and masculine stories.

-Finding the discipline to keep writing can be tough. Which “get writing” techniques are most effective for you?

I don’t know that I have a technique other than to focus on the work itself and not think about whether it will sell or whether readers will like it. I think most writers block comes from fear.

-Can you give us a sneak peek into your current project? 

I am finishing a series called The Knights of the Square Table, which came from a New Year’s Resolution to write the book of my heart, the book I really wanted to write. It turned into a three-book series. It has a rather conventional opening: A group of supersmart kids are stranded on a remote island in the North Atlantic when their plane makes a forced landing due to avionics malfunctions.  Their experiences on the island convince them that they can solve the major problems in the world. So they try. The book started out as an attempt to write a true utopia, but went in directions I didn’t anticipate when I started.

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A Thousand Acres by Jane Smiley

Be sure to read the exclusive interview with Jane Smiley here.

A Thousand Acres by Jane Smiley

Anchor Books, Dec 2003

Told in five “books” or parts, this prize-winning novel blew me away. On the surface as quiet and unchanging—or as slowly changing—as its rural setting, the work plunges deep into the lives and relations of a family struggling to keep a farming lifestyle alive.

Having lived in the Midwest and seen the daily struggle of farm families to continue to make something of the work that feeds a nation, I know that Smiley’s depictions are true to life. The details she selects to illuminate the interior feelings of the characters also expand upon their actions. Although mere single lives when considered individually, each of these characters becomes as wide and as wide-ranging as the plains on which they live and work and struggle.

A novel not to be missed. I’ll be sure to seek out more of Smiley’s work.

5 stars

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Author Interview: Jane Smiley (Exclusive)

Pulitzer-Prize winner Jane Smiley graciously took time out of her busy schedule to answer a few questions about writing, the creative process, and the life of an artist.
–When you take a break from writing, is it a full and total break or is your mind constantly parsing the world for fodder?

Writing is part of my regular day, which means that I also ride horses, do business, cook, do errands, travel, teach, socialize, read books, go on Facebook, talk to my husband and children, read the New York Times and the Guardian, etc.
When I am involved in a project, the things I do during the day are lightly filtered through my thoughts about the project, and vice versa, but I am not obsessive, I am mostly curious—would such and such an insight or image fit into the project? If I get a little stuck in what I am writing, which is mostly a failure of energy, I do something else, and almost always, the issue is resolved or I get an idea. If I really get stuck, then I travel to the place where the project is set, or I do some more research, or I go on Google maps and look around.

–How would your advice for new writers differ from advice you would offer writers who have been in the game for a while?

My advice is always the same—keep at it—novelists are tortoises rather than hares. But also read a lot and analyse, for yourself, why other authors’ books that you like work or don’t work. You have to be able to immerse yourself in your own project, but also to step back from it and understand how it is working or not. And then you have to please yourself most of all. Attempting to please others is frustrating and causes you to lose interest in your work—it becomes a job. The advice I would give would depend on the individual writer. I don’t think there are generalizations.

–From your perspective as an author, what do you feel is the biggest challenge to the publishing industry today? Is there a way to solve that challenge?

Publishing is constantly changing, so in that sense, I don’t think the challenges are greater. In some ways, it is easier to get you work to a reader today, though it may not be easier to get paid for it. I am not sure what to advise, because there are so many different audiences. I think you just have to keep trying to get in the door, knowing that doors close and other doors open.

–What books are you currently reading?

Books for a course I am teaching: Queen Sugar, by Natalie Baszile, Station 11, by Emily St. John Mandel, The Picture of Dorian Gray, by Oscar Wilde, and The Sign of the Four, by Arthur Conan Doyle (because Doyle and Wilde met at a dinner party when they were, apparently, working on these two books, and I am wondering if they traded any ideas.)

–Which authors do you think are underappreciated in the current market, and why?

I always promote Miklos Banffy’s The Transylvanian Trilogy, because I read it two years ago and loved it for the landscape, the politics, and the psychological insights.

–Finding the discipline to keep writing can be tough. Which “get writing” techniques are most effective for you?

Taking a can of Diet Coke out the the refrigerator and looking into the candy closet.

–Can you offer a sneak peek into your current project?

Not yet.

Check back tomorrow for a review of Smiley’s Pulitzer-Prize winner, A Thousand Acres.

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No Harm Can Come to a Good Man by James Smythe

No Harm Can Come to a Good Man by James Smythe

HarperCollins, Avail Jun 9, 2015

This novel works on so many levels: suspenseful without losing touch with the internal lives of the primary characters, conceptually significant, and very well written. I wasn’t familiar with this author before being provided with an ARC from the publisher but you can bet he’s on my permanent radar now.

No Harm presents a future that seems not so far away. The internet has been harnessed to provide predictions about common life events ranging from what type of rental car someone will prefer to whether they’ll get a promotion. Since every one of us encounters these algorithms while browsing…always a bit creepy when a news site hands me an ad for a shirt I browsed on some other site because it’s so out of touch with where my mind is while reading news articles…the novel’s concept feels real enough.

This is the backdrop of our everyday lives. And for a time, it seems to only be the backdrop of this novel. A man, a good man, decides to run for president only a year after his son drowned in the lake at the family’s second home. His wife and two daughters go along with his plans, supporting him as only a political family can—by tamping down their personalities with more PR-friendly activities. When Laurence’s campaign advisor Amit encourages him to apply for prediction results through ClearVista’s algorithm, his already somewhat difficult race turns tragic.

There’s the fact that ClearVista returns a 0% chance of success…and then there’s the video. Nightmarish for any father, the video shows the country’s worst terror, that of a war veteran who has finally cracked. While Laurence struggles to prove the video’s prediction wrong, Amit takes a twofold path that shores up his own career while trying to shove his candidate back on track. Laurence’s wife works quietly yet with a strength that cannot be questioned to help her husband and save her two remaining children.

The arc follows Laurence down his increasingly fractured decline along with the wife’s staunch support. Only in the final moments is Deanna forced to turn against him. Amit, meanwhile, is the only one to truly take all their fates into his hands and actively work against the prediction and the social machinery that believes in ClearVista with such evangelical fever.

Emotionally gripping and a true novel for our times.

5 stars!

Utilizing Google Plus To Promote Your Books and Blogs

Great post on book promos!! Check this one out!

Leona's avatarLeona's Blog of Shadows

Today I am going to share one of my book promo tricks: The Google Plus communities allowing blatant self promotion. I have compiled the following list a few months ago. Those allow promoting your own books and blog links. For authors, it works best if you have a discount deal going on. I have seen significant rank boosts on self pub titles after promoting in those groups. This will not only benefit the indies but tradpub authors, bloggers and reviewers too.

My advice is don’t just copy paste the link and blurb, but write up a short summary info to draw the interest of potential readers, make it sincere and add the link in the end. They will read the official blurb in the preview and when they click the link.

Some of the groups have specific sections for the type of posts (book links, blogs, author infos etc) on…

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Gender Diversity in Publishing

Change is required in publishing. Gender diversity is not an option.

See my new post on Patreon here.

Inclusive and Extractive Economies in Publishing

John Walters's avatarJohn Walters

I have been reading a book on global economics, “Why Nations Fail: The Origins of Power, Prosperity, and Poverty” by Daron Acemoglu and James A. Robinson, and my thoughts, as always, turn to publishing.

You don’t have to agree with everything the book says to be stimulated by its ideas.  It posits that political and economic institutions are mainly responsible for a nation’s poverty or prosperity rather than commonly held theories highlighting geography, culture, or the ignorance of their leaders.  When institutions are inclusive, that is, democratic and open to new ideas, technologies, innovators, and entrepreneurs, a nation flourishes.  However, when institutions become exclusive, that is, they exist for the enrichment of a small group of elite, they may experience growth, even rapid growth, for a while, but it is unsustainable due to the lack of incentive to develop new technologies or foster new investors for further growth.  The authors…

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Book Review: The Tears of Dark Water by Corban Addison

Book Review: The Tears of Dark Water by Corban Addison

Thomas Nelson 2015

This novel reads as if it were written specifically to go straight to a movie screen. And I mean that in the least flattering way.

A father and son set out for an 18-month cruise on their sailboat. The mother stays behind; the marriage is faltering and she isn’t sure whether she will join the two later at a midpoint docking. The sailboat is boarded by Somali pirates led by a man whose sister is held hostage by the men who operate the piracy ring. Tension is supposed to ensue.

Herein lies the problem. Novels depend on characterization and description to lead readers into the interior lives of others…to get them to care. Movies rely on visual and auditory elements, and must strip away the interior elements to present the different sensory input. Two very different formats, two very different types of requirements.

Addison gives us very little interior story. Instead, the 439 pages are pretty much choked with technical details. We discover the types of guns the pirates use and hear about the ships and helicopters that come to the rescue. We learn about the emergency signal that alerted everyone the sailboat had been taken. If only we had been given the same perspective on the characters who handled those weapons and ran those machines.

Oh, and the dialog. This is about the most boring dialog ever. It’s terrible because it reads like a movie script. It’s filled with things the characters do not need to say to each other (or shouldn’t if the narrative had revealed their personalities). It’s lacking the meaningful moments that really provide emotional resonance for a book.

Overall, this novel relies on the plotline to shove it through all 439 pages. There is an effort in the latter half to reveal the motivation of the lead pirate and generate compassion. And in fact the court case reflects this “triumph” of humanity. But it’s far too little, and the machinations the characters go through to unveil this final moment don’t do anything justice in terms of the novel.

I received a review copy of this book from the publisher. I really wanted to enjoy the story on at least some level but did not.

1 star.

Book Review: The Gap of Time by Jeanette Winterson

October 2015 Hogarth Shakespeare

This was a terrific read, one that I recommend. It’s a retelling (or, as the author calls it, a “cover”) of Shakespeare’s The Winter’s Tale. It’s part of a series of retelling of his plays by different well-known authors like Margaret Atwood and Gillian Flynn.

Now, normally this kind of idea sounds too commercial to me. It raises a lot of skepticism on my part. Just because an author works with their own ideas well doesn’t mean they’re automatically going to be able to make something out of Shakespeare’s works. But, Shakespeare was himself commercial. His plays were presented alongside bear-baiting, a horrible blood sport that centered on the torment of a bound animal. So no matter what we think of Shakespeare today, in his time he was the definition of commercial.

So, anyway, about The Gap of Time. The author sets up different sections here to help guide readers through the time jumps and jumps in point of view. I appreciated that very much. I don’t mind at all, and tend to like, when a work makes me think a little; at the time I was reading this, though, I was sick and couldn’t manage as much mental effort as usual. So the divisions really helped keep me settled in the world.

It’s a contemporary world in which a lost orphan–a foundling, really, lost and found through very nicely proposed means–grows up and reconnects with her biological family. The connections don’t come through any efforts of her own; as in Shakespeare’s chaotic worlds, nearly everything is out of the players’ hands and they are swept along on currents that threaten to drown them as easily as deliver them to new lands.

That’s all I’m going to say about this work. Anything else would be a spoiler. I will tell you that it won’t end the way you expect, that you’ll very much enjoy the ride, and that the protagonist will capture you. You will want her to triumph. Whether she will…you’ll have to find out for yourself.

4 stars

The Inaugural “Write This Speculative Fiction Novel” Contest!

Source: The Inaugural “Write This Speculative Fiction Novel” Contest!

Book Review: The Courtesan by Alexandra Curry

Book Review: The Courtesan by Alexandra Curry

Released Sep 8 2015 by Dutton

In 1881, seven-year-old Jinhua has enjoyed a fairly good life. Her father has refused to have her feet bound and has shown her nothing but love. Then he displeases the emperor and is beheaded.

Jinhua’s wife is not interested in caring for the daughter of her husband’s mistress and sells the girl for a handful of silver coins. Jinhua ends up in a brothel where she is taught the “bed business” with poses like Fishes Eye to Eye, White Tiger Pouncing, and Silkworms Tenderly Entwined. But there is little tender about bed business, as she discovers when she is given to her first client at the age of twelve.

She is told repeatedly that her life is not her own. When she is bought again by a man who thinks she is the reincarnation of his former mistress, she accompanies him on his ambassadorial trips to the West.

I had such hopes for this novel. I requested an ARC from the publisher because the synopsis described a woman’s journey from culture to culture and eventually to herself. Although she does eventually lead her own life, she does so by returning to the brothel after the owner dies and the business passes on to her best friend. There she is raped during the Boxer revolution, her friend is also violated, and her friend gives up her life to save Jinhua’s. So she doesn’t really ever own her own life.

This I could have lived with if the writing had been stronger. The publisher described a fairytale like prose that promised a depth that rewarded a careful reader…exactly the kind of thing I enjoy, and exactly the kind of prose that can fit exceptionally well with historical fiction.

But here the execution is weak. The prose is too spare, and the details tend to be repeated. The repetition does not highlight symbolic or important elements, so it comes off as a weakness in the author’s research.

I’m begrudgingly rating this at 3 stars because, although I would normally rank this as a 2 or 2.5, I recognize that a number of readers will enjoy this a great deal. Just be aware of the flaws before you spend time with this work.

3 begrudging stars

Book Blogging, Indie Style

Source: Book Blogging, Indie Style

Mark Lawrence And The Importance Of Never Writing Off An Author

Source: Mark Lawrence And The Importance Of Never Writing Off An Author

Wharton, Colette, Lispector | Boston Review

Source: Wharton, Colette, Lispector | Boston Review

How Many People Did You Kill Today?

Laine Cunningham's avatarWriter's Resource/Sunspot Lit

Insight into the life of a writer at this new blog post I added to the Rensing Center blog.

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