Rowman & Littlefield is looking for an associate marketing manager to join the dynamic and sophisticated marketing team of 30+ professionals (including those working in publicity, creative services, convention services, analytics, rights & permissions, and sales & advertising capacities). This position offers significant growth opportunity. This position will report to the Vice President of Marketing.
Click here for more info.
Book Review: Under the Dome #review #novel
By Stephen King.
I picked this up because a friend was reading it and was enjoying the multiple points of views. Right away I remembered why I stopped reading King so many years ago.
The characters are too folksy-jokey for me, the plot points often seem to be included only for laughs, and while the level of writing is common for genre works, the lack of any other driver made me put it down. I really wanted to read this book because I thought that as a writer who works with multiple viewpoints, it might have something to offer. But I just couldn’t get through more than 30 pages. Pure torture all the way.
One star.
What Children’s Books Can Teach Adult Fiction Authors
The AWP held their annual conference earlier this month. Among their other great offerings was a panel focused on children’s publishing.
One author stated that characters are paramount in children’s and YA stories. The plot comes from the characters. Who each person is in the story creates the story. Each is presented with challenges or obstacles they must overcome. From that comes the different plot points and thus the entire story.
Another point was that there are no pointless characters. If one shows up but never plays an important role, that character should be struck.
A different author noted that “rumination” is part of the story. That is, the characters have to have backstories, histories that detail where they come from and why they’re motivated to act certain ways.
Finally, in response to a question about how to write for the market, one author said to write what inspires you. From there, you can determine how best to pitch and place the work in the existing market.
All of these points apply equally to adult fiction. Characters do create the plot and impact the story. They should have backstories. No character should ever be pointless, and the author should always write what interests them rather than what they think will sell.
The only difference is that in children’s and YA publishing, the author utilizes different language, changes sentence layouts, uses less complex storytelling structures, and of course mostly will write shorter manuscripts.
Everything else is just quality fiction.
Job at Chronicle Books #authorlife #author #editing
Chronicle Books seeks an Account Manager to join our Domestic Sales team. Successful candidates are highly motivated self-starters with resilient entrepreneurial spirits and proven sales experience. A proven track record of strategically growing business in established accounts as well as seeking new business opportunities is essential. Excellent analytical, communication and presentation skills are a must!
Click here for more.
Why “Editor of New York Times Bestseller” Doesn’t Mean What You Think #editing #amwriting #indieauthor
So often I see ads from book editors that proclaim “Editor of (fill in a number) New York Times bestsellers!” Here’s why most of the time, that’s just hype.
Book editors at publishing houses are mostly in acquisitions. That means they acquire books by finding stuff in the slush pile then bringing it forward for consideration among other acquisitions editors, the marketing department, etc. etc. They’re good at finding quality.
Note that: finding quality. Not making quality.
If a project is too rough or just isn’t to their taste, they pass. And they pass a lot.
What they do select out of the submissions pile tend to be already fairly strong. The editing they might do usually is pretty nominal…tweak a personality trait here, change the order of events there.
They don’t do a lot because they don’t have time to do a lot. It’s fairly rare these days for publisher’s editors, who are skilled in acquisition, to do much actual editing.
There are exceptions, of course, but that also isn’t common.
So, “editor of X NYT bestsellers” might mean they said, “Hey, author, chapter one drags too much. Please rewrite it.”
Or, “Hey, author, so-and-so’s dialogue is stilted. Please adjust.”
Or, “Hey, author, I’m (or more likely, my freelance copyeditor is) going to do a little polishing on your project to make everything pretty.”
So beware too much of that NYT bestseller hype. Most of the time, it doesn’t mean what you think it means.
Job at HarperCollins #author #authorlife #editing
HarperCollins needs a Sales Support Associate to provide support to the Children’s Sales Division, specifically focusing on assisting the Barnes and Noble National Accounts rep as well as working with the field sales team and the Independent channel.
Click here for more.
Book Review: Quiet Chaos #review #novel
By Sandro Veronesi
I abandoned this one after about 100 pages. That’s pretty unusual; normally if I get past page 30 or so, I like something about the work enough to read the entire thing. But here, the narrative was too annoying. The author was replicating the chaos and emotional turmoil through the craft on the page. After a time, it was simply wearing. It kept me too distanced from the characters, oddly enough, because it was meant to take me deeper into that world.
Two stars.
How to Net More Than $0.35 on Your Promo Ebooks #epubchat #ebooks #epub #indieauthor
Look, let’s be honest. Earning $0.35 per unit sold through Amazon’s restrictive royalty rate sucks. You should be earning closer to the full $0.99. Your book is worth it, and you need to make some money to offset advertising costs.
You could sign up as an Amazon affiliate and earn 4% more on each sale…but you have to refer those sales yourself, which means you can’t net that additional amount on advertisers’ promos. And 4% is pennies, still, so why bother?
Gumroad.com has the answer. They’re a sales site that allows authors, artist and others to sell their digital prices easily and for very little costs per unit. You’re looking at about $0.35 plus a percentage (under 3%) cost per unit sold. That means you net $0.61 per sale. That’s nearly twice as much!
Sell 100 copies on Amazon, net $35.
Sell 100 copies on Gumroad, net $61.
Sell 1,000 copies on Amazon, net $3,500.
Sell 1,000 copies on Gumroad, net $6,100.
Now you’re talking!
How to Outwit the Kindle Unlimited Krash #amwriting #selfpublishing #epubchat
Kindle Unlimited isn’t doing anything new. Subscription services originated outside of Amazon, leading the way for readers and authors to find a new way to interact. But KU did tap into the largest market of ebook readers.
That has caused some difficulty for indie authors…and likely for traditionally published authors, as well. Generally payments are down, even if reading rates are the same or stronger.
What this means is that it is time once again to shift the way you produce and market your books. Consider having only some of them available through Kindle and sell the rest of your ebooks on a different site. This could work especially well if you allow print versions of all your books to remain on Amazon.
Also try moving the price points for ebooks you leave on Amazon to a higher point. This could change the borrow rate by broadcasting to readers that your work is worth more. Higher valuation results in greater respect, and more consumer demand.
Finally, always have a direct pathway for sales. Use Gumroad to sell ebooks directly to readers at a discounted price. You’ll receive more money per sale even at $0.99 than Amazon’s standard 35% royalty at that price and you’ll potentially reach more readers.
Job at Midwest Library #authorlife #author #editing
Midwest Library Service, a major academic and public library bookseller, seeks a self-motivated Sales Representative for an established territory. The successful candidate has current library sales experience, lives in or will relocate to Denver, CO, has excellent computer skills, expertise with Microsoft Office and CRM. The position requires extensive travel within the territory.
Click here to apply.
Fantasy is Flying High! #fantasy #getpublished #pubtip
After for so long being a small, very small, market, fantasy has come into its own.
Thank the likes of Neil Gaiman and George R. Martin (and, of course, Game of Thrones’ show) for boosting this deserving category into the limelight.
And now that Britian’s leading literary author, Kazuo Ishiguro, has released what some call fantasy (and others, who aren’t willing to release their notions about how far literary is from fantasy call a fable, a folktale, or etc…anything but fantasy…), we’re seeing a new world of opportunity for authors.
Now is the time to take advantage of this movement. I’ve been looking at agents quite closely over the last several months and have found so many more that now represent fantasy. It’s a leader in publishing, and everyone involved is hoping to find the next huge hit.
And remember that there are many subcategories of fantasy. If you’re working with soft fantasy (as am I) or alternate history fantasy, throw your work in the ring! You’ll be able to stand out from the epic high fantasies that are getting so much attention right now, and you’ll offer the market something unique. That’s always a plus.
Job at American Academy of Arts and Science #authors #editing #authorlife
The American Academy of Arts & Sciences, headquartered in Cambridge, MA, needs a Senior Editorial Assistant in the Office of Publications.
The Academy produces two quarterly publications: Daedalus, the Journal of the American Academy of Arts & Sciences, and the Bulletin, as well as books, research papers, and monographs.
We would like to fill this position no later than May 15, 2015.
Click here for more info.
Free Publisher’s Weekly Reviews for Indie Authors #amwriting #bookmarketing #howto
For a long time, Publisher’s Weekly, the nation’s leading industry publication, didn’t touch self-published books.
Then, as the dynamics shifted, they began reviewing indie books in separate listings.
Finally they stopped separating indie reviews from traditional publishing house reviews and let everything flow together. But to get a review, indie authors still had to pay for the service.
Now they are offering a way for indie authors to get a free review. Here’s the review they published in their print magazine for my novel, He Drinks Poison:
Cunningham offers an unusual variation on the serial killer thriller, but the explicit sex and violence may be too much for some readers. Veteran FBI agent Priya Conlin-Kumar, who has just been reassigned to Wheeling, W.Va., expects her new posting to be dull, with its focus on suspected money laundering, but she soon finds herself on the trail of a serial killer. In the first major plot twist, two very different men are busy slaughtering women in the area. Quinn Lawrence, a successful businessman, is organized, hand-crafting the tools of his sadism. Blue-collar worker Cole Bennett, who was brutalized by his mother, takes a less methodical approach. Though some unnecessary hype lessens credibility (“Not since 9/11 had so many people suspended their lives to follow one event”), making Priya a Kali worshipper adds depth to the lead. Priya has a nicely developed tragic back story, and her characterization is the book’s strongest element.
He Drinks Poison on Amazon, B&N, Kobo.
Very nice!
This option is now available through Publisher’s Weekly’s latest effort. Recently they launched BookLife.com, a resource website for publishers of all types. All authors can list their books there after creating a profile. Best of all, you can submit your book for a review.
About a week ago they began doing promotional work on the site itself to help authors reach readers. Give them a try! It’s free to sign up and free to submit your books. Even if they turn down the free submission, you can always fall back on the paid option. The magazine has a great reach with bookstores and libraries, so it’s worth the effort.
Book Review: Child 44 by Tom Rob Smith #review #novel
When I first found this on the shelf, it had just come out. I was interested in unique crime fiction and this fit the bill.
I am not terribly much interested in historic Russia but the author sucked me into this world with his character. This is one of those books that you really should try. Give it 30 pages and see if you don’t also get sucked in!
My only dislike was the ending. The climax was over much too quickly. A technical flaw that hopefully the author will correct in future novels.
5 stars!
Interested in more crime fiction? Try He Drinks Poison, a gripping thriller.
Author Interview: Rich Ehisen #writechat
This interview is with Rich Ehisen, a political journalist who is working on a new book called Gen Wars: Voices of America’s Generational Culture War.
LC: Politics, politics. You have built a career writing about national and California State politics. Dish, please. Best part of covering politicians and their ilk? Worst part? How’s the free food at PR events, really? But don’t share anything that will get the men in black after you.
RE: Funny, I used to cover sports, which I thought would be my dream job. Covering politics seemed like the opposite of that. But after actually covering sports and dealing with athletes and teams, I couldn’t wait to get away from it. Politics is actually far more interesting to cover professionally. I’d rather just be a passionate fan of sports and an impartial observer and reporter of all things political. The best part is that the stuff I’m covering is important – it matters to our society. And I get paid to ask powerful people hard (but fair) questions that often challenge their positions. They don’t always answer but I get to ask. The worst part is without a doubt dealing with their flacks who try more to shield their boss from us than to help work out us being able to talk to them. Thankfully, there are not that many who operate that way these days, at least at the state level. Congress, which I have covered a little, that is a different story. ;o) I generally avoid the food at press events, lest someone accuse me of being too cozy with the powers that be – as if I could be bought off with rubbery chicken dinner. That said, cops and reporters NEVER say no to coffee.
To read some of Rich’s work, click here.
LC: You’ve been jetting around the country working on a big new project…big in the sense of what it encompasses and big in terms of what it might do on the market. Tell me more about Gen Wars: Voices of America’s Generational Cultural Clash.
RE: It’s been slower going than I would have hoped, but I’ve adopted the mindset that it will be done when it is done right. I’m notoriously impatient but rushing through really complex stuff like this generation transition we’re going through from the Boomers to the Millennials via Gen X won’t serve my purposes at all. In the book, I really want to showcase some of the people across all of these generations that are doing good work in areas that matter, and where Boomers and the two younger generations are alike and where they differ in their approach to it all. For instance, I’m planning a section on activists that profiles how activists in the Boomer generation compare to those working today from younger generations. I was at a writers conference in San Diego in January and was able to have a trio of agents look over my proposal. Two of them were pretty interested with some caveats, which I am working to address right now. So fingers crossed.
For more about this project, click here.
LC: What’s the worst thing you’ve personally done as a boomer?
RE: Sex, drugs and rock & roll, baby! Definitely spent my youth wrapped up in all three as a lifestyle. I was probably pretty typical of my late Boomer group, though.
LC: Best thing?
RE: I will say I have worked a lot harder since my 20s at not being selfish and narcissistic, which I think has been the hallmark of the Boomers. I actually find it funny when I hear a Boomer bitching about Millenials being self-absorbed. Where do they think these kids learned that behavior? Who are their parents? I made it my mission in life to raise my Millennial daughter to not be that way, so when I see 20-somethings who are selfish idiots I usually presume the apple hasn’t fallen far from the tree. From a practical standpoint, I have also made it a priority to save money for my retirement, which I can tell you far too many people in my age group have not done. I’ve interviewed a lot of Boomers all over the country who have no idea how or if they will ever be able to stop working. That should scare all of us, especially the Millennials and Gen Xers who will likely have to pay the bill for taking care of them.
LC: What’s the most important way Millennials can change their lives or world view?
RE: Be flexible in everything they do, and to think entrepreneurially. Not necessarily as if they are all going to start their own business, but more like they are the captains of their own ships and take responsibility for their own happiness and success. I sound all new age with that, but I really do believe that with technology there are more opportunities now than ever, but also more challenges to maximizing those opportunities. And to keep giving back at every opportunity. Life really is a team sport.
LC: Any wisdom for Gen X?
RE: Same as above, with the addition of also being willing to let your guard down a bit more. Gen X really has got screwed a bit in all this. Boomers and the Silents did a lot of things right, but we also did a lot of things wrong that Xers bore the brunt of. Subsequently, they tend to be a lot more guarded and wary. Stats show they are the hardest to market too, the least susceptible to sales pitches, etc. That’s a good thing, but they also tend to be the most cynical of the generations, which is not a good thing.
LC: When we first met, it was through a writer’s group and almost 20 years ago. Since then, you’ve evolved quite a bit, and this project seems to be an important part of that. Tell me how you decided to work on this, and what impact you think it will have on your career.
RE: This project came out of a conversation I was having with my daughter, who was 25 at the time. We were talking about some of the struggles she was having with grad school living in the big city etc. All normal stuff I some ways, but it made me think a lot about what kind of world we are leaving them. We have some really significant problems to deal with – climate change, growing wealth disparity, the absurd cost of education, etc. – that I’m not sure my generation is doing much about. I’m not sure we even can now, given how polarized we are both politically, economically and socially. That leaves it to the young ‘uns, which is a hell of a burden if you ask me. I am hoping that I can do this topic justice and inform and entertain people in the process. From there, if it opens the doors for me to do more books or another film, then I’ll be very happy.
LC: Plans for post Gen Wars?
RE: I’m really energized right now. I’m working on some new fiction, though as of this moment I’m not sure what form it will take. I’m just letting the story form and move, almost on its own, every day. It has been great. I’m also for sure going to work on more screenplays and maybe even produce another short movie.
LC: Best tip for interviewing.
RE: Be prepared but don’t be so rigid to your questions that you miss the obvious follow ups to what people say. Make them feel comfortable, look them in the eye, show them respect. You don’t have to go to coffee with them later but try to connect in some way. People always will tell you more if they like you and trust you. And always show integrity in your own work. There are times where the situation is unavoidably confrontational or tense, but most subjects will stand behind their words if you report them accurately.
LC: What does your writing space look like? If you don’t have one, where do you go to create?
RE: I’m the luckiest person alive. I work from my home office. We’re quasi-rural, so the view out my office window is a hillside with a plethora of trees, birds and the occasional deer. My desk can be a challenge – two laptops, a large monitor, etc. I’m a neat freak so sometimes that makes me crazy.
LC: Wild card: Share a crazy dream, a wildly ambitious goal, a favorite quote. Or whatever.
RE: I would love to write a great screenplay based on the main character from the fiction I am working on now, and then have that screenplay win an Oscar! Woo hoo!
