Free Spirit publishes 20 to 25 titles per year for children and teens. Their focus is on helping readers learn how to succeed in life and make a difference in the world. They specify that authors should submit a proposal as part of their pitch.
Avon Romance, an imprint of HarperCollins, publishes 400 romance novelsa year. Use their online submission form to submit your manuscript directly.
And don’t forget your book proposal!
Nowadays, authors know they have to hone their manuscripts as near to perfection as possible to enhance their chances of being picked up by a publisher…or if they’re self-publishing, to enhance their appeal to readers.
Writer’s Resource was founded on the idea that authors should help authors. Part of that is helping with the financial investment. Occasionally the market is surveyed to ensure that costs are at the lower to middle range for comperable levels of experience and services.
This year, the Freelance Editor’s Association found that standard costs across the market are $45-65/hour based on the experience of the editor. A 70,000-word manuscript could take 56 hours for developmental editing. The result is a fee between $2,520 and $18,200. Copy editing, a much lighter form of editing, averaged $25-50/hour for a fee range between $840 and $7,000.
That’s quite an investment.After twenty years in business, this shop maintains price structures that are on the lower and middle ends of the ranges quoted above. The higher level of editing used by the association is also divided into separate services called developmental assistance, consulting, rewriting and line editing.
Breaking things down ensures that each client is able to select only those items they truly feel will help…and the different options help them keep to a budget!
Standard copy editing ranges from $2.50 per page to $3.95 per page. Line editing ranges from $4.00 per page to $7.50 per page. Line editing includes everything offered under copy editing, of course.
Developmental work and rewriting fees are set based on each individual manuscript’s needs; generally, they are higher than the highest level of line editing.
Consulting is performed on an hourly basis.
Whether you’re aiming for a publisher’s attention, self-publishing or tackling both options at once, call or email for your editorial and developmental needs.
BookStats reports that e-book sales in fiction rose 42% in 2012 to a total value of $1.8 billion.
Nonfiction e-book sales grew 22% to $484.2 million.
E-book sales in children’s and YA categories increased a whopping 117% to $469.2 million.
E-books now account for 20% of publishers’ revenues.
Net revenues for publishers are also up slightly. The industry is recovering. If you have a manuscript that’s been lying in a drawer somewhere collecting dust, it’s time to pull it out and start pitching!
The work I offer through Writer’s Resource covers a range of age groups and genres including juvenile works. Juvenile is defined as anything from children’s picture books through young adult (YA).
Authors are often surprized to learn two things…that they should have a submissions packet for their juvenile works, and that agents will represent fiction and nonfiction targeting younger readers.
Fifteen years ago, the landscape was much different. It was much more difficult to locate agents who represented works for young readers outside the academic market. Today, things have changed so much that juvenile works are well respected…and agents want to represent the works whether they’re for the academic market, the mainstream reader, or both.
It used to be that when a client asked me to put together a list of agents for their juvenile works, the research turned up only a handful of agents. Nowadays, it is common for those lists to include dozens of names…often a hundred or more.
If your project has a wide target, consider adding an agent to the team of individuals you work with to help you along your publishing journey.
Yesterday I posted a comment about a client who wondered if the longer wait for a positive response from a publisher was cause for concern. He wrote back again noting that if a deal came through, he knew it would in part be due to all the work we’d done together to improve the manuscript.
He ended with a comment about competition between the various publishers. He was referring to a book auction.
Several times recently I’ve been asked if auctions still happen. Yes, they do! The industry is in flux and is scrambling to adjust their course in an unknown present but the book auction is alive and well.
And yes, Toto, auctions are still offered to authors who are not celebrities. So take heart and keep working. If you’ve created your best work and keep trying, you’ll eventually meet with success.
Recently a client contacted me about a manuscript that had been submitted to several of the top publishers. His first manuscript had been picked up right away but this one seemed to be lagging behind. He wondered if “no news is good news” on this front.
The answer is yes. Publishing has changed quite a bit over the past several years and response times can be much slower. Generally, rejections are provided fairly quickly. Any time lag in response often means someone at the publisher wants the book; they just have to go through a series of hoops before getting full and final approval.
So, take silence to mean that a publisher is interested…they’re just trying to figure out where the book will fit in their lineup, how the marketing department will handle the work, or a host of other issues.
Meanwhile, keep working on the next book!