Category Archives: Publishing

McGraw-Hill Deal Will Help Authors

McGraw-Hill is well-known for its strength in academic (educational and professional) content. It is partnering with Follett to expand sales of ebooks into K-12 schools.

This will have a good impact on authors. The availability of ebooks allows for more readers to find authors they might otherwise never hear about. Ebooks also provide publishers with a way to monetize their backlist, which means that authors whose works are out of print can derive fresh income when their books are re-released in electronic form.

The disruption is doing its job. Things are looking up for publishers and for authors, and this is just one example!

Eink on Phones

Midia Inkphone is not the first on the market to offer eink on a phone. It is, however, an indicator that people are reading more on their phones than ever before.

I have been waiting for a device like a phone or an iPad to allow for both internet browsing and eink displays for American readers (both devices now available are for foreign markets). I don’t particularly enjoy reading on a full digital display. It just isn’t the same. And studies comparing the impact between digital reading and reading on the page prove that the brain retains more with print.

So eink is a good midway point. It will help readers engage more with the story or content. It also is much easier on the eyes!

Hachette-Perseus Deal Includes 400 Indie Publishers

Hachette recently bought Perseus books. What hasn’t been discussed widely in the media is that the deal included 400 indie publishers. The indies represent $300 million in distribution sales volume of the total value represented in the deal.

This is great news for authors. Although the merge hasn’t been without its issues for the indies, it does signal that traditional houses are taking indies seriously…and that they value the products they produce. In time, we are likely to see more mergers like this with traditional houses and indies teaming up to revitalize publishing…and reading.

Self-publishing Squeezes All Authors

In late June, the Shatzkin Files worked up an interesting comparison of data on publishing. The study looked at how authors used to perform before self-publishing became such a big trend. Generally, there were always the big authors, few enough in number. Then came the midlist, authors who did well enough but who had to build to the breakout over the course of several books…if they ever broke out. And then came the ones who sank quickly after publication.

Now, self-publishing is changing the economics for authors but not necessarily in a good way. With so many additional titles available, the midlist author is being squeezed out. There is simply too much static in the background for them to make a splash. The big authors, meanwhile, keep getting bigger as readers turn more and more toward the names they recognize.

And the third group, the rest who sink, is growing larger. These elements impact authors no matter if they have self-published or gone to a traditional house. Take this into account when you consider stepping into the indie arena…it might be harder than you think. And remember, too, that you can self-publish and still approach agents and publishers with the same book at the same time.

1 Million Titles on One Subscription

A new ebook subscription service will offer 1 million titles.

Bllon will launch in beta form this summer. Details on how many books readers can view each month still aren’t clear but 3 ebooks will be provided for free when users first subscribe.

Although Bllon is based in Germany, similar services for the American market average 500,000 titles. So keep an eye out for Oyster and Scribd to ramp up their games and match that number.

Seth MacFarlane’s Support Mirrors Overseas Lit Efforts

Seth MacFarlane has promised to match up to $1 million for the Reading Rainbow crowdfunding campaign. Reading Rainbow is an app used in schools by young readers, and the campaign aims to provide it to low-income students.

This move mirrors a trend overseas that in some cases isn’t a trend…it’s part of other nation’s cultures. Governments in some European countries have long provided tax breaks, grants and other incentives to authors, bookstores and publishers. Some of it has happened recently because publishing is taking such a beating worldwide. Much of it, however, has been in place for a century. The understanding that literature is valuable to a nation’s identity and culture is too strong to simply allow publishers to forge ahead on their own.

America should wake up to this fact. Individuals are doing their part by contributing to crowdfunding campaigns for small presses, bookstores and authors. But more needs to be done. We need to support authors in meaningful financial ways. We need to help bookstores and publishers not just survive but thrive.

What is your best idea to help?

Guardian Contest Opposes Realistic Trend in YA

The Guardian is running a contest for juvenile manuscripts. Their crop of shortlisted entries has been anything but depressing or dark. Instead, they said they are looking for entries “that make the make-believe seem real.”

Lately there’s been talk of a turn toward more realistic fiction in YA and younger titles. This is mostly due to the success of The Fault In Our Stars. But the dystopian and darker elements, along with speculative works, aren’t done yet. If you doubt that, consider how long the vampire craze lasted…over a decade.

So if you’re working on something dark, dystopian, or just plain speculative, know that the market will still welcome your submissions.

World Cup of Literature

In June and July, the University of Rochester’s resource for international literature, Three Percent, held the first ever World Cup of Literature.

The program featured a 32-book knock-out tournament during soccer’s World Cup game. Each match pitted two books against each other. Only one of the books moved on until the championship match determined the ultimate winner.

This program might look like it would draw more attention outside the United States (which doesn’t share the soccer fever that infects other nations). But keep in mind that Britain has a reality TV show that features authors, and publishers in the U.S. are constantly looking for new ways to engage readers. We might see similar events tied into American obsessions like football or the Fourth of July.

I look forward to holidays spent counting down competitions like this!

Target to Offer Ebooks

Target is partnering with a startup ebook subscription service called Librify to provide an online platform for buying, sharing and discussing books. Librify has more than 500,000 titles available already (about half of Amazon’s number), and it has only been beta testing since March.

Even better, the social aspects of the platform allow readers to review and discuss their favorite books…providing word-of-mouth validation that is so critical to readers. Authors should check into Librify now to ensure their titles are available once Target is ready to launch.

See Harry Potter’s New Cover

Link here to see the new Harry Potter and the Chamber of Secrets cover. The new design is part of the revamping of the series with illustrator Johnny Duddle. All seven books will be released September 1, the day Hogwarts students return to wizarding school.

Children’s Books Enhanced by Multimedia

Houghton Mifflin Harcourt has purchased Curiosityville, a children’s learning website. The move expands HMH’s reach into the K-12 educational market, and reflects the growing push by publishers to break outside of the book’s binding and expand a story into different mediums.

Between the growth in the age group from 2 to 8 and increased government funding of early childhood programs, publishers see an opportunity to reach more readers and generate more profits. Authors should recognize that even if they are working in fiction, projects ranging from picture books through middle-grade chapter books are hot commodities right now. Send out your work today!

YA Novels Driving Children’s Category

Young adult novels account for 18% of children’s unit purchases. Although this is down a few percentage points for the same period the year before, YA is still a strong category.

It’s strength comes in part from the tendency of adults to purchase YA titles. The single largest group buying these titles is the 18- to 29-year-old demographic.

This means two things. First, if you are working on a YA book, keep going.
Second, if you’re working on the new category called New Adult, get it out there. Connect with me at any time for assistance and advice on breaking into this powerhouse category!

Harlequin’s Cross-Media Project

Harlequin is launching a romance fiction project that reaches beyond print and ebooks. The effort integrates video, mobile and social media. The project is based on a fictional location, the Chatsfield hotel in London, as the backdrop for the stories. Each story will be released on multiple platforms to better involve readers.

After years of self-published authors doing the same on their own, the big publishers are finally taking on the same creative ideas. They are expanding their models to move beyond the traditional print forms and even beyond the digital format. This is about engagement, loyalty, branding and the stories themselves. The stories and characters have to be strong…and all that pushes the focus away from celebrity books or pure fluff and back to the quality that has been overlooked for so long.

Co-Branding Hottest Trend in Publishing

As publishers search for new ways to reach readers, co-branding has become a big push…particularly in the children’s arena.

Borden milk is using Megan McDonald’s Judy Moody series for a summer reading campaign. McDonald’s UK is offering books in their Happy Meals. And characters that have been around for decades are showing up on banks, cars and coffee cups.

All of this means that the savvy author has to consider co-branding opportunities. While it is difficult to create these kinds of deals yourself, pitching your work to agents and publishers in a way that includes co-branding opportunities is a way to generate strong interest in your works. Already one Big Five publisher reports that 25% of their children’s division profits are coming from co-branding and merchandising efforts. Contact Writer’s Resource to place your work in the best position possible.

Oyster Now Offers 500K Titles

Oyster, an ebook subscription service, recently topped the half-million title mark. Its major competitors, Scribd and Entitle, offer far fewer with 300K on Scribd and 125K on Entitle.

Any of these subscription services can enhance an author’s career. They are focused on discovery, so they help readers find your titles. My own three titles have been available on Scribd for only a few months, and already they have achieved a surprising number of reads…without any additional advertising push.

Subscriptions offer smaller payments than purchases but if you’re looking for eyes on your work, these services can help you enhance your visibility and provide a modest income at the same time.