Tag Archives: authors

Inception: $250 for Prose, Poetry, or Art Opening

Beginnings have the power to spark passion or curiosity. They might immediately connect a specific place and time with an emotional tone. The best offer a feeling, atmosphere, action, or image that is gripping.

Too often in commercially driven industries, this results in sensationalism. But meaning, thoughtfulness, emotions, or shadings of tone…that is, connection…are the impulses that draw audiences into the moment. A poem handles this differently than a flash piece, which handles an opening differently than a novel. The first photo, painting or frame presented in a gallery, series, or collection strives for the same intent. Openings contain a spark that promises to continue to burn.

For Sunspot Lit’s 2020 Inception contest, send your best opening. There are no restrictions on theme, category, or the length of the piece or collection from which the beginning comes. Word limit is 250 for prose, 25 words for poetry. Graphic novel entries should be the first page (unlimited number of panels on that page) with a maximum of 250 words…so, cut the number of panels in order to meet the word count, if needed. Visual art entries should be the first in a series, the first in a gallery lineup, the first photo in a themed collection, etc. Entries are limited to one image with up to 250 words to describe the series, lineup or collection.

For 2020, the entry fee has been reduced due to COVID’s economic impact.

Close: September 31, 2020

Prize: $250 cash, publication for the winner, publication offered to runners-up and finalists.

In addition to receiving the cash prize, the winner will be published. Select finalists will have the chance to be published. Sunspot asks for first rights only; all rights revert to the contributor after publication. Works, along with the creators’ bylines, are published in the next quarterly digital edition an average of one month after contest completion as well as the annual fall print edition.

Works should be unpublished except on a personal blog or website. Artists offered publication may display their pieces in galleries, festivals or shows throughout the publication contract period.

Enter as many times as you like through Submittable, but only one piece per submission. Simultaneous submissions are accepted, but please withdraw your piece if it is published elsewhere before the winner is selected.

Open Call Ends August 31, 2020

Sunspot Literary Journal is dedicated to amplifying diverse multinational voices. We offer an Editor’s Prize of $50 for the annual edition. Artwork selected for a cover will be paid $20. Visit SunspotLit.com to download digital editions for free.

All types of prose from flash fiction and poetry to stories and essays, including scripts and screenplays, are welcome. We also accept long-form, novelette, and novella length works up to 49,000 words. Translations welcome, especially with access to the piece in the author’s original language.

One piece per prose submission; two works of visual art per submission.

Use the correct form according to the length of your prose and poetry. Works longer than allowed by the form used will be declined unread.

The Fast Flux options offer a two-week turnaround, with most responses going out within one week.

All submissions must be unpublished (except on a personal blog). Simultaneous submissions welcome. Submit as many times as you like.

Submissions must be sent through Sunspot’s Submittable page.

Author Interview & Free Book

On August 11, this blog will post a review of Secure the Shadow, the latest novel from Marion Grace Woolley. Author of such deliciously dark tales as Those Rosy Hours at Mazandaran, Woolley is offering a few free copies through this blog. The free copies will be available to the first five people who contact the blog during the days after the review posts. Today, the author joins us for an interview about her work.

Tell us something about yourself and how you became an author. 

Hi, sure.

I’ve always been an avid reader, and enjoyed writing stories growing up, but it wasn’t until I moved to Rwanda as a sign language researcher in 2007 that I made a serious attempt at writing a novel. Back then, books were quite hard to find, I didn’t have a telly or a radio, and the internet was too slow to stream movies. There really wasn’t much to do in the evenings, so I thought I’d take a shot at writing a novel, just to see whether I could make the word count. Once I discovered that I could, it became a bit of an addiction, and I’ve been writing ever since.

I still live in Rwanda, where I currently work with organisations helping those who survived the 1994 Genocide against the Tutsi, and in my spare time I’m trying to build the first Rwandan piano with my friend Désiré.

I now have a bookshelf and the internet is fast enough to stream movies, but I continue to write novels now and then.

Which books stand out for you as a reader? 

As a very young child, I think Puddle Lane took the prize. They were short fairy tales that had a page for the adult to read and then a short sentence for the kid to read. My dad always made me read out loud before he’d turn the page. So, I have fond memories of learning to read with him.

In my teens, I was a Fighting Fantasy, Terry Pratchett and horror buff. I loved Shaun Hutson, Stephen King, anything with blood and gore.

Nowadays, I read a lot more non-fiction. Yuval Noah Harari, Peter Frankopan and Bill Bryson, but also a lot of fiction, usually more on the literary side like Carlos Ruiz Zafón, Chitra Banerjee Divakaruni and Madeline Miller, but also some silly stuff like Yahtzee Croshaw. He wrote an entertaining story about the world being taken over by man-eating strawberry jam.

Is there a writer whose brain you would love to pick for advice? 

Not so much. I feel like I know what I’m doing nowadays. I’ve kind of got to that stage where I realise the things that bug me, and I find difficult, are mostly the same things all writers struggle with. There really isn’t a magic answer to a lot of things, like character development and plot block, we’re all just stumbling through it the best we can.

I’ve been very lucky in that my family used to take me to the Cheltenham Literature Festival most years, so I got to sit and listen to a lot of the greats, like Ken Follet, Philip Pullman, Lionel Shriver and Ian McEwan. I was able to hear a lot of their advice first-hand.

A lot of other writers have made their brains freely available to pick, or at least leaf through. Aristotle, Stephen King, Adrian Magson and many others have written books on writing. In Stephen King’s case, literally On Writing.

Being a writer is pretty solitary. You’re the only one who can hear those imaginary voices in your head and tell the story you dreamed up. Sure, you can discuss it with people, but that doesn’t get it written any quicker. You sort of learn to become quite self-reliant.

If you could, which fictional character (from your own book(s) or someone else’s) would you like to invite for tea and why?

I’ve been rather smitten with Alicia Gris from Labyrinth of the Spirits recently, but I’m not sure how much tea we’d get drunk. Just a very dark and enjoyable character. I’d like to see her perform her fountain pen trick on a buttered scone.

Anybody a little bit magical would be entertaining company. Howl, if I could pluck him from his moving castle, or Chrestomanci. I’m a sucker for a smoking jacket.

There are just too many to choose from.

Do you have some writing rituals or habits?

No. I’m useless at routine, and whenever I try to stick to one, the universe usually has other ideas. Writing is a chaotic process, so I prefer to embrace the chaos.

Where do you come up with your ideas? Do people in your life need to be worried? 😉

Neil Gaiman did a good interview where he said, ‘never ask a writer where they get their ideas.’ Honestly, I don’t know. You can have an idea any time of the day or night. Riding on the bus, walking across a park, staring at your navel. There are hundreds of ideas all over the place. The question is, which one is going to make it to 100,000 words?

That’s always the issue. Not every idea has the longevity to be interesting for more than a couple of pages. Most stories are a hotchpotch of lots of different ideas, and when you start to run thin on ink, it’s time to throw another idea in there and keep writing. Usually, you need a collection of ideas to produce a full-length novel.

But many of those ideas come to you once you start writing. Stories are fluid. Half the fun is discovering the story as you’re writing it, which means new ideas can ambush you along the way.

If I were a memoirist, I’d write about people I know, but as I write fiction, I’m wholly devoted to those I make up. For me, fiction is escapism, I’d hate to pollute it with reality.

Can you offer any tips for writers?

Nothing more than other, much more famous, writers have said: read a lot, read as widely as you can, expect the first few stories you write to be dreadful, but learn from them.

To paraphrase Labyrinth of the Spirits: ‘Writing is a profession that has to be learnt, but it’s impossible to teach.’

Grammar can be taught, sentence structure and plot construction can be taught, but what makes a story work – that’s more art than science, and it just takes time.

What are your future plans?

I’m currently working with a fantastic group of actors to turn my epic The Children of Lir into an audiobook. It’s been wonderfully creative and a real treat to be part of something so collaborative. I’m also self-narrating The Tangled Forest, a collection of dark fairy tales I wrote a few years back. That’s proving more of a challenge. Despite having written the book, I’m actually finding it pretty tricky to read out loud. In between, I’m doing a little light research for another novel, set in ancient Akkad. So, lots of fun things on the go at the moment.

Excerpt from Secure the Shadow

Reuben took a piece of white paper and a brush, painting its surface with silver nitrate. Then he placed the silhouette over the top and took it into the hallway, exposing it to the full force of a carbon arc lamp. As he did so, the paper began to darken until it was the same black as the silhouette. He peeled the top layer away to reveal Bella and Archie, their outline wedding-white like fallen snow.

“A photogram,” Reuben explained. “The earliest form of photography. From photo, meaning light, and gram, meaning drawing. A light drawing.”

“But why did you choose to make one of–”

“Watch.”

As they stood looking at the simple play of shadow on sun, the white image began to fade. At first, just the edges started to fray. Then, piece by piece, the entire picture began to turn black. Archie and Bella, and their archway of ribbons, darkened until there was nothing left of them.

“Gone,” Reuben whispered, looking down at her. “How do you feel?”

“Better, I think.”

“A life that might have been, but never was. Captured for a moment, then returned to history.”

“A clever trick.”

He kissed her gently on the cheek.

Why authors and artists in developing countries are so disadvantaged

Marion Grace Woolley, author and piano maker, lives in Rwanda. She’s posted an interesting commentary on YouTube.

Why authors and artists in developing countries are so disadvantaged

Link here to view, comment, and learn.

SINGLE WORD CONTEST 2020 EDITION

Sunspot Lit announces the results of the Single Word contest’s 2020 edition. Submissions were open for any prose form, poetry, and visual art. We received entries that made us laugh, thoughtful pieces that dealt with the current pandemic, and works that hold meaning no matter what state the world is in.

Truly, this crop of entries showed exceptional talent. It’s heartening to know that people are working creatively to make the world a better place. The lists below reflect the results of multiple judging rounds. Look for the finalists and the winner in the next quarterly edition, due out around the end of June.

Congratulations to everyone on these lists!

 

Longlist

Compassion, Joshua Molina

Confidence, Tara Strahl

Faith, Trever Sinanovic

Enough, Lisa DeAngelis

One, Wes Finch

Weapon, Mary Lash

Light, Tanita Cree

Equanimity, Hunter Liguore

Consequence, Elizabeth Cain

Chinese, Jill Bronfman

Faith, Jennifer Jones

Unidistancing/Uni-distancing, Corinne Beasley

Turbine, Cameron Lings

Gender, Vicky Prior

Exit, Thomas Mangan

Us, Mary Sheehan

Jarabi, Doley Henderson

Anomie, Angela Kaufman

 

Shortlist

e/motion, Kerry Rawlinson

Dream, Michael Noonan

Aloha, Stephanie Launiu

You’re Mine, You (for They), Valyntina Grenier

Another Word for Beauty, Mark Henderson

The Meaning of Free, Hannah van Didden

Ubuntu, Ethel Maqeda

Rega, Rosalie Sydes

Yes, Lisa Friedlander

Burning, Olga Gonzalez Latapi

We, Larry Mellman

Self-quarantined, Christopher Buckley

Viral, Claire Lawrence

Stoic, Aileen Boyer

Vulnerability, Hazel Whitehead

The Letter “Hey,” Omer Wissman

 

Finalists

Aloha, Stephanie Launiu

You’re Mine, You (for They), Valyntina Grenier

Ubuntu, Ethel Maqeda

Burning, Olga Gonzalez Latapi

We, Larry Mellman

Self-quarantined, Christopher Buckley

Viral, Claire Lawrence

The Letter “Hey,” Omer Wissman

 

Winner and Runners-up

Runner-up: Ubuntu, Ethel Maqeda

Runner-up: Viral, Claire Lawrence

First place: The Meaning of Free, Hannah van Didden

 

Closing Soon: $500 for a Single Word

Prize: $500 and Publication

For the 2020 edition of the Single Word contest, Sunspot is handing the megaphone over to authors and artists. Submit the single word you feel is the most important in today’s world.

You’ll have 1,000 words to describe why using any form of fiction, nonfiction, or poetry. If you feel the word speaks for itself, your description can simply state that fact.

Artwork is also accepted for this prize. Submit one image and up to 250 words describing the artwork’s relationship to the single word.

Since English doesn’t always convey exact shades of meaning, the word you select can be in any language. A definition written in English will be required, and the definition will count toward the total word count of the description. The description must also be in English.

For the first edition of this contest in 2019, the prize was $50. In 2020, the prize has increased to $500.

In addition to receiving the cash prize, the winner will be published. Select finalists will have the chance to be published. Sunspot asks for first rights only; all rights revert to the contributor after publication. Works, along with the creators’ bylines, are published in the next quarterly digital edition an average of one month after contest completion as well as the annual fall print edition. 

Enter as many times as you like through Submittable, but only one piece per submission. Simultaneous submissions are accepted, but please withdraw your piece if it is published elsewhere before the winner is selected.

Entry fee is $10.

Opens January 1, 2020. 

Closes March 31, 2020 at midnight EST.

Selected as one of Reedsy’s Best Writing Contests in 2019. Reedsy Best Contest

Heavenly Baby from Dasha Ziborova

I met Dasha Ziborova at a residency program, and signed up for her occasional newsletter here. She offers thoughtful, fun, and lovingly illustrated stories based on her life and her experiences. “Heavenly Baby” is about her cat, parenting, and Russia.

If you like the newsletter, you can pick up books she illustrated and produced here. They include “Pussy from Hell” and “This Land is My Land.”

From the artist:

Real Time In Ink is a series of graphic stories by artist and author Dasha Ziborova. It covers a broad range of topics from people, places, parenting, art, music, cats, food, and travel, to occasional politics and scary crazy Russians.
Dasha Ziborova is a graphic novelist, picture book illustrator, and muralist. She was born in St. Petersburg, Russia and came to New York in 1991. Since then, Dasha illustrated five children’s picture books including the award-winning Crispin the Terrible published by Callaway Editions, and In English, of Course and The Numbers Dance by Gingerbread House.

Open Call Closing Feb 29

Sunspot Literary Journal is dedicated to amplifying diverse multinational voices. We offer an Editor’s Prize of $50 for the annual edition. Artwork selected for a cover will be paid $20. Visit SunspotLit.com to download digital editions for free.

All types of prose from flash fiction and poetry to stories and essays, including scripts and screenplays, are welcome. We also accept long-form, novelette, and novella length works. Translations welcome, especially with access to the piece in the author’s original language.

One piece per prose submission, including poetry; two works of visual art per submission.

Use the General form for prose from 501 to 3,500 words. Flash fiction and works longer than 3,500 words must be submitted through one of the other forms. If they are submitted through the General form, they will be declined unread.

Using the Fast Flux (two-week turnaround or less)? Select the correct fee option to avoid delays.

All submissions must be unpublished (except on a personal blog). Simultaneous submissions welcome. Submit as many times as you like.

Closes February 29, 2020 at midnight.

Closing Soon: Open Call from Sunspot Lit

Since launching in January of 2019, Sunspot has amplified multinational voices from around the world. The pSLJFrontublication is accepting fiction, poetry, nonfiction, scripts, screenplays, photography, and art until November 30. Translations and extremely long-form pieces are accepted. Submit here or visit the website here.

Single Word Writing Contest Offers $500

postcard-1197664_1920For the 2020 edition of the Single Word contest, Sunspot is handing the megaphone over to you. Submit the single word you feel is the most important in today’s world.

You’ll have 1,000 words to describe why using any form of fiction, nonfiction, or poetry. If you feel the word speaks for itself, your description can simply state that fact.

Since English doesn’t always convey exact shades of meaning, the word you select can be in any language. A definition written in English will be required, and the definition will count toward the total word count of the description. The description must also be in English.

For the first edition of this contest in 2019, the prize was $50. In 2020, the prize is being increased to $500.
In addition to receiving the cash prize, the winner will be published. Select finalists will have the chance to be published.

Enter as many times as you like. Simultaneous submissions are accepted, but please withdraw your piece if it is published elsewhere before the winner is selected. Deadline is March 31, 2020.

Sunspot’s Pushcart Prize Nominees

Sunspot Literary Journal is dedicated to helping its contributors in every way possible. We therefore submit pieces published in our editions to various award intended to call out some of the best creative work of the year.
We are incredibly pleased to announce that the following authors have been nominated for the Pushcart Prize:

Nina Wilson / “Feeding on Men”
Max Carp / “The First Epistle to Carmelo DeAndre Jones A.K.A. Notorious”
Kayo Chang Black / “The Nikah”
Ron Pullins / “Dada’s Home”
Tiffany Promise / “Saint Magpie of Loserville”
Patricia Worth, Translator for Claudine Jacques / “Other People’s Land”

If any of their work is selected by the Pushcart committee, it will appear in the 2020 edition of Pushcart’s anthology.
We wish them every success!

Sunspot Editor’s Prize 2019

Sunspot Literary Journal’s annual edition provides for an Editor’s Prize for one contributor. This year, the selection was contributed by Kerry Muir. “Running on Moontime,” a short play, grabbed us with its depth and humor.

Kerry received $50 and a call-out line in the annual edition. To which she said, “OMG, OMG!!!! Laine, thank you so much, that’s incredible! (Beauty pageant fluttering hands, mascara tears….)”

So, you see why we liked her piece.

Reedsy Selects Inception as 2019 Best Writing Contest

Reedsy Best ContestReedsy, a huge freelancer’s site, selected Inception: $250 for the Best Opening as one of the Best Contests of 2019. Check it out before it closes October 31.

Keep Art Alive

Fall 2019 Front Cover-page-0Sunspot Literary Journal publishes five times per year. Four of those editions are free digital version that are available on the website. One is their annual print edition, which is distributed to booksellers around the world.

Sunspot speaks truth to power by using the power of every voice. In their first year, they’ve produced essays by a woman writing about life in the Jim Crow South, an interview with a Ugandan forced to become a child soldier, stories about breaking free from abuse, Daliesque fiction, and art from emerging and established creators.

You can help change the world through words and art. Consider running an ad in the newsletter or magazine, purchasing a copy of the 2019 annual edition (currently available only for preorder), sending a contribution through Paypal, or filling the tip jar on Submittable.

Sunspot Issue 3 Free Download

Once Sunspot Lit opened up to even longer works than before, writers sent in spectacular stories ranging from flash up to novella length. So, just in time for fall, the digital edition has doubled in size over the first two quarters. Thanks to all our creative contributors for making that happen!

Our dedication to opening up the journal to worldwide audiences continues with two special dual-language presentations.

First up is a story called “Other People’s Land.” Originally produced by a Tahitian publisher, here it’s presented in Fench and as an English translation. Both the author Claudine Jacques and translator Patricia Worth were instrumental in pulling together both versions as well as arranging permission from Au vent des îles.

Second is our first nonfiction piece in the form of an interview. Opwonya Innocent was born in a time of great civil unrest in Uganda. Abducted at the age of ten, he was forced to become a child soldier in a rebel force known as the Lord’s Resistance Army. Coauthor Kevin McLaughlin facilitated a conversation between Sunspot and Opwonya. The interview is presented in English and the Luo language of Opwonya’s people.

Visit Sunspot’s website to download the free edition. You can also leave a tip to help keep art alive through the Paypal link of the primary funding source, or through the Submittable tip jar.