Tag Archives: journalism

Inception: $250 for Prose, Poetry, or Art Opening

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Beginnings have the power to spark passion or curiosity. They might immediately connect a specific place and time with an emotional tone. The best offer a feeling, atmosphere, action, or image that is gripping.

Too often in commercially driven industries, this results in sensationalism. But meaning, thoughtfulness, emotions, or shadings of tone…that is, connection…are the impulses that draw audiences into the moment. A poem handles this differently than a flash piece, which handles an opening differently than a novel. The first photo, painting or frame presented in a gallery, series, or collection strives for the same intent. Openings contain a spark that promises to continue to burn.

For Sunspot Lit’s 2020 Inception contest, send your best opening. There are no restrictions on theme, category, or the length of the piece or collection from which the beginning comes. Word limit is 250 for prose, 25 words for poetry. Graphic novel entries should be the first page (unlimited number of panels on that page) with a maximum of 250 words…so, cut the number of panels in order to meet the word count, if needed. Visual art entries should be the first in a series, the first in a gallery lineup, the first photo in a themed collection, etc. Entries are limited to one image with up to 250 words to describe the series, lineup or collection.

For 2020, the entry fee has been reduced due to COVID’s economic impact.

Close: September 31, 2020

Prize: $250 cash, publication for the winner, publication offered to runners-up and finalists.

In addition to receiving the cash prize, the winner will be published. Select finalists will have the chance to be published. Sunspot asks for first rights only; all rights revert to the contributor after publication. Works, along with the creators’ bylines, are published in the next quarterly digital edition an average of one month after contest completion as well as the annual fall print edition.

Works should be unpublished except on a personal blog or website. Artists offered publication may display their pieces in galleries, festivals or shows throughout the publication contract period.

Enter as many times as you like through Submittable, but only one piece per submission. Simultaneous submissions are accepted, but please withdraw your piece if it is published elsewhere before the winner is selected.

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Open Call Ends August 31, 2020

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Sunspot Literary Journal is dedicated to amplifying diverse multinational voices. We offer an Editor’s Prize of $50 for the annual edition. Artwork selected for a cover will be paid $20. Visit SunspotLit.com to download digital editions for free.

All types of prose from flash fiction and poetry to stories and essays, including scripts and screenplays, are welcome. We also accept long-form, novelette, and novella length works up to 49,000 words. Translations welcome, especially with access to the piece in the author’s original language.

One piece per prose submission; two works of visual art per submission.

Use the correct form according to the length of your prose and poetry. Works longer than allowed by the form used will be declined unread.

The Fast Flux options offer a two-week turnaround, with most responses going out within one week.

All submissions must be unpublished (except on a personal blog). Simultaneous submissions welcome. Submit as many times as you like.

Submissions must be sent through Sunspot’s Submittable page.

SINGLE WORD CONTEST 2020 EDITION

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Sunspot Lit announces the results of the Single Word contest’s 2020 edition. Submissions were open for any prose form, poetry, and visual art. We received entries that made us laugh, thoughtful pieces that dealt with the current pandemic, and works that hold meaning no matter what state the world is in.

Truly, this crop of entries showed exceptional talent. It’s heartening to know that people are working creatively to make the world a better place. The lists below reflect the results of multiple judging rounds. Look for the finalists and the winner in the next quarterly edition, due out around the end of June.

Congratulations to everyone on these lists!

 

Longlist

Compassion, Joshua Molina

Confidence, Tara Strahl

Faith, Trever Sinanovic

Enough, Lisa DeAngelis

One, Wes Finch

Weapon, Mary Lash

Light, Tanita Cree

Equanimity, Hunter Liguore

Consequence, Elizabeth Cain

Chinese, Jill Bronfman

Faith, Jennifer Jones

Unidistancing/Uni-distancing, Corinne Beasley

Turbine, Cameron Lings

Gender, Vicky Prior

Exit, Thomas Mangan

Us, Mary Sheehan

Jarabi, Doley Henderson

Anomie, Angela Kaufman

 

Shortlist

e/motion, Kerry Rawlinson

Dream, Michael Noonan

Aloha, Stephanie Launiu

You’re Mine, You (for They), Valyntina Grenier

Another Word for Beauty, Mark Henderson

The Meaning of Free, Hannah van Didden

Ubuntu, Ethel Maqeda

Rega, Rosalie Sydes

Yes, Lisa Friedlander

Burning, Olga Gonzalez Latapi

We, Larry Mellman

Self-quarantined, Christopher Buckley

Viral, Claire Lawrence

Stoic, Aileen Boyer

Vulnerability, Hazel Whitehead

The Letter “Hey,” Omer Wissman

 

Finalists

Aloha, Stephanie Launiu

You’re Mine, You (for They), Valyntina Grenier

Ubuntu, Ethel Maqeda

Burning, Olga Gonzalez Latapi

We, Larry Mellman

Self-quarantined, Christopher Buckley

Viral, Claire Lawrence

The Letter “Hey,” Omer Wissman

 

Winner and Runners-up

Runner-up: Ubuntu, Ethel Maqeda

Runner-up: Viral, Claire Lawrence

First place: The Meaning of Free, Hannah van Didden

 

Closing Soon: $500 for a Single Word

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Prize: $500 and Publication

For the 2020 edition of the Single Word contest, Sunspot is handing the megaphone over to authors and artists. Submit the single word you feel is the most important in today’s world.

You’ll have 1,000 words to describe why using any form of fiction, nonfiction, or poetry. If you feel the word speaks for itself, your description can simply state that fact.

Artwork is also accepted for this prize. Submit one image and up to 250 words describing the artwork’s relationship to the single word.

Since English doesn’t always convey exact shades of meaning, the word you select can be in any language. A definition written in English will be required, and the definition will count toward the total word count of the description. The description must also be in English.

For the first edition of this contest in 2019, the prize was $50. In 2020, the prize has increased to $500.

In addition to receiving the cash prize, the winner will be published. Select finalists will have the chance to be published. Sunspot asks for first rights only; all rights revert to the contributor after publication. Works, along with the creators’ bylines, are published in the next quarterly digital edition an average of one month after contest completion as well as the annual fall print edition. 

Enter as many times as you like through Submittable, but only one piece per submission. Simultaneous submissions are accepted, but please withdraw your piece if it is published elsewhere before the winner is selected.

Entry fee is $10.

Opens January 1, 2020. 

Closes March 31, 2020 at midnight EST.

Selected as one of Reedsy’s Best Writing Contests in 2019. Reedsy Best Contest

Open Call Closing Feb 29

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Sunspot Literary Journal is dedicated to amplifying diverse multinational voices. We offer an Editor’s Prize of $50 for the annual edition. Artwork selected for a cover will be paid $20. Visit SunspotLit.com to download digital editions for free.

All types of prose from flash fiction and poetry to stories and essays, including scripts and screenplays, are welcome. We also accept long-form, novelette, and novella length works. Translations welcome, especially with access to the piece in the author’s original language.

One piece per prose submission, including poetry; two works of visual art per submission.

Use the General form for prose from 501 to 3,500 words. Flash fiction and works longer than 3,500 words must be submitted through one of the other forms. If they are submitted through the General form, they will be declined unread.

Using the Fast Flux (two-week turnaround or less)? Select the correct fee option to avoid delays.

All submissions must be unpublished (except on a personal blog). Simultaneous submissions welcome. Submit as many times as you like.

Closes February 29, 2020 at midnight.

Single Word Writing Contest Offers $500

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postcard-1197664_1920For the 2020 edition of the Single Word contest, Sunspot is handing the megaphone over to you. Submit the single word you feel is the most important in today’s world.

You’ll have 1,000 words to describe why using any form of fiction, nonfiction, or poetry. If you feel the word speaks for itself, your description can simply state that fact.

Since English doesn’t always convey exact shades of meaning, the word you select can be in any language. A definition written in English will be required, and the definition will count toward the total word count of the description. The description must also be in English.

For the first edition of this contest in 2019, the prize was $50. In 2020, the prize is being increased to $500.
In addition to receiving the cash prize, the winner will be published. Select finalists will have the chance to be published.

Enter as many times as you like. Simultaneous submissions are accepted, but please withdraw your piece if it is published elsewhere before the winner is selected. Deadline is March 31, 2020.

Reedsy Selects Inception as 2019 Best Writing Contest

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Reedsy Best ContestReedsy, a huge freelancer’s site, selected Inception: $250 for the Best Opening as one of the Best Contests of 2019. Check it out before it closes October 31.

100 Bucks for 100 Words Writing Contest

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greeting-1936817_1280Sunspot Literary Journal currently has three contests open to authors and artists. The newest pays $100 for 100 words. Continue reading →

Tin House to Close; Sunspot to Open

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books-2158737_1920June of 2019 will see the last Tin House literary magazine roll off the presses. After twenty years publishing original fiction, nonfiction, and poetry, Tin House is saying goodbye.

The move was done in the face of mounting costs associated with print publishing. Rob Spillman, the co-founder and editor, is moving on to other areas. The closing brings an end to a very long stretch of quality contributions to the literary arena.

While some new works will still be published on Tin House’s website, the loss of yet another print publication is difficult for writers. Much of the industry still gives more weight to credits in print publications, so the loss of even one magazine can be bad news.

There is a bright spot, however. Sunspot Literary Magazine is launching in January of 2019. For the first year, one print edition will be published. The magazine hopes to add additional print editions in subsequent years.

Meanwhile, digital editions are scheduled for every quarter. The founder is also considering adding frequent special editions that focus on a single author or a single category.

The magazine’s mission is to “change the world through words,” and is open to new and established authors and artists. Submissions of short stories, flash fiction, poetry, essays, art, interviews, and reviews of books, movies and galleries are being accepted through Sunspot’s Submittable portal.

This is an excellent opportunity to be heard and to enact the change you want to see.

The Washington Post Sale to Amazon’s Bezos

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The past weeks have seen so much chatter about Jeff Bezos, Amazon’s top dog, buying the Washington Post newspaper. On the shrill side, folks are claiming he’ll use the paper to cement Amazon’s position in the halls of the White House. The warm-and-fuzzy side points out that since Bezos (not Amazon) bought the paper, perhaps he’s interested in shoring up a venerable institution that serves the public good.

Of course it’s far too early to tell. But this purchase is part of a trend. Over the past months, many independently wealthy individuals have purchased some of the country’s top newspapers. Many of these purchases turn the newspapers private.

That’s a critical element. Whenever a company goes private, it is no longer chained by law to focus on shareholder profit. Newspapers have always been a true community service. Yes, they need to make money and yes, they carry advertisements. But the content has always been based on a specific set of interests. Even papers that put out national editions provide content that has a particular flavor for a particular subscriber base.

Considering this recent shift, newspapers might actually be on the mend.

5 for the Writer’s Bucket List

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Here’s a list from Writer’s Digest listing 5 things for your bucket list.

When I posted this to Facebook (find Writer’s Resource under CreationToContract), I noted that I liked the “Do something bizarre” tip best.

Also of interest is the “Self-publish something” tip. They’re not necessarily talking about a book, either. Blog posts, ezine submissions, and other short bits can be great for the author’s soul. And enhance your platform. And provide potential readers of your books with another way to find out about you.

An unbeatable combination!

Ebook Trends

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Here’s a literary magazine that has become a publisher of ebooks.

In the past few years, I’ve noticed several kinds of organizations entering the ebook arena. Most notable are the handful of book agents who have opened publishing companies.

This is one of those indicators of how large the shift is in traditional publishing these days. When agents, and some of the nation’s top agents at that, are shifting where they spend their time, nearly anything can happen.

Keep this in mind as you consider whether to approach traditional publishers, self-publish through print and/or ebooks, or do both at once. These days, it pays to play your cards across a wide spectrum.

Brainstorming

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Writers know that they have to help readers suspend their disbelief. It’s also critical that viewers watching a film do the same. This interview comes from the corporate world but if you read it with your author’s eye, you’ll find some great advice.

–Present your story in their context. That is, connect with readers where they are, not from your lofty position as all-seeing author. Use concrete details to evoke emotions, paint images and usher  readers into the fictional world.

–Be curious. Ask questions. What if the plot twists here? Why does this character act that way? Where does this one plot point happen? When in his life does the major turning point come? How can the character grow, change, develop?

–Weaknesses are irrelevant. Focus more on your strengths. That doesn’t mean ignore the weaknesses; just don’t get so hung up on them you forget your strengths.